It’s thanks to crime scenes like this
that I sometimes dread people,
particularly the way they flock to orange pylons,
fluster in clumps like maimed birds,
and hatch out stories,
which are always either parboiled in half-truths,
or scrambled by hypocrisy.
Take that camera-laden busy-body, for instance,
piqued there, barely disguising her hope
of spawning a murmuration—
donning her intrepidly purple polo,
she’s the self-declared ruler
of the pecking order that’s been bred into us
for the engendering of our chronicles:
Clearly, she knows how to swaddle her offspring
with ample pageantry
to ensure the stork’s swift delivery
of her inchoate prince.
Like Cronus, her Titan predecessor,
who swallowed up his own children
to thwart the prophecy of his time-driven demise,
she’s devouring a flood of raw peptides
from the sea-thick breeze
wafting right past the preoccupied deputy,
to sate her enduring appetite
for stone-cold lies.
Meanwhile, that blond-haired man
in the short shorts and flip-flops,
fixated on his faux-gold wristwatch,
has been pacing this whole time
on the cluster’s fringe,
If you ask me,
he’s as guilty as the day is long.
STEPHANIE L. HARPER
“Anatomy of a Fustercluck” won the Rattle Magazine January 2016 Ekphrastic Challenge, and appears in my forthcoming chapbook, THIS BEING DONE (Finishing Line Press, available for pre-publication order February 2018 — stay tuned for more information!!). I’ve been thinking a lot these days about crime scenes, guilt, and the fraught task of sorting out sensationalism from the horrors of reality… That’s all.