Rhapsody in Bone

Rhapsody in Bone

Beneath the frozen fathoms of the sea,
a maiden’s body swells in rhapsody;
her father made her sustenance for fish
and creatures yet unseen by human eyes,
who feed until the carrion is spent.

The maiden’s bones roll over with the tide,
entwined with deep-sea coral colonies,
and where her eyes were, now are dwellings kept
by denizens who have no need of light
beneath the frozen fathoms of the sea.

Though water’s currents quell the dolphins’ calls,
the doleful cries her fecund corpse intones
uncoil the sodden hearts of others’ souls,
while hers, forsaken, flounders in the dark.
A maiden’s body belts a rhapsody,

because her father threw her from a cliff:
butt-hurt that she’d flat-out refused to stroke
his ego (teeny-peeny sack, he was,
of whims that changed as often as the winds),
her father made her sustenance for fish,

yet could not stop his daughter’s sunken bones
from breathing sirens’ cantos on the waves
and luring hunters to her icy grave—
that home to lonely spirits of the depths
and creatures yet unseen by human eyes!

A hunter plunks his line into the sea,
where deep below, a bony treasury
still bears the stench of murder’s milky dregs,
a tangy lunch for urchins clinging fast,
who feed until the carrion is spent.

Upon the swaying surf the hunter waits
with hero’s grit,’til suddenly, a lurch—
he’s hooked the skeleton woman’s rib! This catch
has heft suggesting banquets fit for kings,
who feed until the carrion is spent!

Oy veh! He hoists her bones onto his skiff
and shits his britches fearing he’s been cursed
by Death, herself, arisen from the depths—
her salt-worn bones a host for writhing eels,
and creatures yet unseen by human eyes!

Try as he may to toss her back, he finds
her long front teeth affixed—and can’t deny
this woman he’s revived deserves to live:
those naked, tangled limbs, her smooth, bald head…
Her father made her sustenance for fish,

yet could not stop his daughter’s sunken bones
from going viral with their exposés—
though water tries to quash the dolphins’ calls—
for songs of fuckhead fathers make us sick,
when maidens’ bodies swell in rhapsody!

Though many hunters know the songs of bones,
scarce few boast true cajones, fewer still
behold the face of Death with steadfast gaze,
and grow to love and keep all she became
beneath the frozen fathoms of the sea.

STEPHANIE L. HARPER

“Rhapsody in Bone” was first published in May 2017, in editor Nate Ragolia’s awesome journal, Boned: A Collection of Skeletal Writings, and was subsequently included in my chapbook, This Being Done.

Hypochondria Blues

Hypochondria Blues  

What you’ve got is only a touch of neurosis,
so don’t get your knickers all bunched in a twist—
such worries can give you a deep vein thrombosis!
 
Do you think there’s a prize for a self-diagnosis?
Stop looking for lesions; don’t palpate that cyst!
What you’re dealing with here’s just a bit of neurosis…
 
That smartphone is gonna cause spinal stenosis!
The search engine’s warning that if you persist,
you’ll likely wind up with a deep vein thrombosis!
 
You’d have known it by now if you had halitosis—
like a boil, it’s not something easily missed.
Better face it, you’ve got a small case of neurosis…
 
Now, what would possess you to google psychosis?
Let me guess… The voices submitted a list?
Are they helping you summon a deep vein thrombosis?
 
It’s not a news flash you’ve got some type of –osis—
but the poking of badgers is what gets them pissed…
So give it a rest!  Embrace your neurosis!
Who needs all the fuss of a deep vein thrombosis?
 
(Just to be on the safe side, look up pneumonoultramicroscopicsilicovolcanoconiosis…) 

STEPHANIE L. HARPER

“Hypochondria Blues” was published in the anthology, The Larger Geometry, by peaceCENTERbooks. Thank you to editor d ellis phelps for including my work in this beautiful and inspired collection!

The peaceCENTER, a 501(c)(3) nonprofit organization in San Antonio, Texas, supports the learning of peace through prayer and education; and supports the demonstration of peace through nonviolent actions and community.  All proceeds from the sale of this anthology go to benefit the peaceCENTER. 

Cephalopod

 

Cephalopod

I know how you tried to befuddle me
with that ten-legged head of yours—
 
how you thought you’d streak by
& ink me blind, but I see
 
how it is: I mean, once your penetrating-
obsidian eyes shone the ocean alive,
 
that cute little stunt of tucking back
your longest tentacles, as if you could

pass for being one of the girls, almost
like innocuous, trifling, bipedal me,
 
was glaringly obvious. I know your beak
was really poised from the start to strike—
 
to take my breath into your breath,
& crack open my sternum, & feast
 
on the still-thudding muscle inside me—
because motoring between my mere
 
two legs, primed to be torpedoed
with your mantle, until I tauten
 
like a caecum gorged on tiger prawns,
is the same jet-propulsion as yours
 
worked in reverse…

“Cephalopod” recently languished on a short list for an inordinate amount of time — poor guy — before ultimately being rejected, so I’ve just decided to share him! 

Dead Rose at 5 Points Local

I can’t begin to express how deeply soul-nurturing it is for me to collaborate with such an extraordinarily generous and brilliant man and poet as Robert Okaji!

O at the Edges

Dead Rose at 5 Points Local
(A collaborative poem written with Stephanie L. Harper)

Having plucked the disheveled
petals from the core,
she waits
for the dead to speak
of last week’s sweetness—

of damp upholstery
and worn-out shoes,
of locked chests
and the faint honey
of unrealized hope.

Magnetized,
I twist the stem;
I quarter the seeds and
blemish the plate.
Which north rings true?

Which faded-red
bridge reveals the lost
inner compass?
Our ice cubes clink
no answers, as the essences

of hibiscus, lavender,
and mint slip over my tongue,
concealing the cool
tang of her demurring
ghosts…

But when she says whisper,
touching her lips
with an index finger,
I hear distant trains
baying like wolves,

and smell the char of nights
trailing the undiminished
river, its waters flowing
in every possible
direction, away.

* * *

“Dead Rose at 5 Points Local” first appeared in

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Pressing into the Depths

Old-growth Oak

Pressing into the Depths

of an old-growth oak grove on your search for virgin peat     having     naturally     preemptively considered the human calcaneus poised on its subcutaneous fat pad (the sturdy lovechild     as it were     of evolution & bipedal ambulation); you go     whole-soled     knowing nature engenders no freaks     & that the point of weight-bearing     actually     is to sink-spring to life your very own     rooted     upward mobility—to elapse your mossy quiet’s once upon a time into cantilevered boom     to mushroom & split your bark like a seething     green superhero     (who leaves you in tatters)      harden yourself new gnarls to gather lichens      & ever after phosphoresce the midnight fog like a moonbeam striking your cast-off glass slipper

“Pressing into the Depths” was published in the November 2018 peaceCenterbooks anthology, The Larger Geometry: poems for peace, edited by d ellis phelps.

Review of Stephanie L. Harper’s The Death’s Head’s Testament

WOW!
The inimitably brilliant, insightful, and sensitive Daniel Paul Marshall has written a gorgeous review of my new chapbook, The Death’s-Head’s Testament! Please take a look, and consider pre-ordering a copy for just $6.50 each!

Daniel Paul Marshall

The Death’s Head’s
Testament

continues on from Stephanie’s previous book This
Being Done
& fortunate for us Stephanie is in the present progressive,
hammering out the dimensions of poems. The poems here continue to wade in the
difficulties of womanhood, family, child-rearing, love, life, memory &
death.

There
is wakeful invention, an intellectual alacrity, sure-footedness even on the
tremulous ground of the heart in the track of each advancing line. Something
common-place, is elevated to heightened importance if only for it being what it
is: a potential for articulation & loving.

Despite
the morbidity of the title, I hope (well-founded on the verve of being a
life-bringer & cultivator, which Stephanie wears unashamedly on her sleeve)
that Stephanie isn’t concerned as Roy Fisher expresses in Poplars that“I think I
am afraid of becoming a cemetery of performance.” Stephanie’s performance is to
be anticipated.

Stephanie sets off from a harbour in…

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What a Patriot Dreams

Starlight 03
What a Patriot Dreams

I saw the flags come down—
their masts falling like the trees
flattened by shockwaves
in those clips of old footage
from military nuclear bomb tests,
spliced into high school history documentaries.

They weren’t projected celluloid etchings
that teenagers confined to plastic chairs
could summarily cancel
with one hand motioning No
in the universal vernacular…

Caught in a wash of floodlights
on the indigo summer dusk,
the red-white-blue swaths crushed
in on themselves like torn parachutes,
& all vanished at once—deposed

by morning’s first, grainy insinuations
that breached the blinds’ periphery,
& accreted into a single, silent force
creeping along my bedroom walls,
as if to thwart illumination:

In this country of my own
birth & citizenship, I’ve, in turn,
given birth to two, precious children—

my riven heart’s two halves now trussed
in a spectacular fiasco of feathers & wax.

STEPHANIE L. HARPER

“What a Patriot Dreams” was first published (in slightly different form) in the November 2018 issue of CatheXis Northwest — thank you to editor C. M. Tollefson for selecting this piece for inclusion in your beautiful journal — and appears in my newest chapbook, The Death’s-Head’s Testament, available NOW for pre-sale purchase for the fantastic price of $6.50 per copy (currently slated for release in April 2019)!

CLICK THIS LINK to my author page at Main Street Rag, which includes commentary on and sample poems from The Death’s-Head’s-Testament, to order your copy today, that the poetry gods shall smile on you for all the rest of your days!!