Dead Rose at 5 Points Local

I can’t begin to express how deeply soul-nurturing it is for me to collaborate with such an extraordinarily generous and brilliant man and poet as Robert Okaji!

O at the Edges

Dead Rose at 5 Points Local
(A collaborative poem written with Stephanie L. Harper)

Having plucked the disheveled
petals from the core,
she waits
for the dead to speak
of last week’s sweetness—

of damp upholstery
and worn-out shoes,
of locked chests
and the faint honey
of unrealized hope.

Magnetized,
I twist the stem;
I quarter the seeds and
blemish the plate.
Which north rings true?

Which faded-red
bridge reveals the lost
inner compass?
Our ice cubes clink
no answers, as the essences

of hibiscus, lavender,
and mint slip over my tongue,
concealing the cool
tang of her demurring
ghosts…

But when she says whisper,
touching her lips
with an index finger,
I hear distant trains
baying like wolves,

and smell the char of nights
trailing the undiminished
river, its waters flowing
in every possible
direction, away.

* * *

“Dead Rose at 5 Points Local” first appeared in

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Pressing into the Depths

Old-growth Oak

Pressing into the Depths

of an old-growth oak grove on your search for virgin peat     having     naturally     preemptively considered the human calcaneus poised on its subcutaneous fat pad (the sturdy lovechild     as it were     of evolution & bipedal ambulation); you go     whole-soled     knowing nature engenders no freaks     & that the point of weight-bearing     actually     is to sink-spring to life your very own     rooted     upward mobility—to elapse your mossy quiet’s once upon a time into cantilevered boom     to mushroom & split your bark like a seething     green superhero     (who leaves you in tatters)      harden yourself new gnarls to gather lichens      & ever after phosphoresce the midnight fog like a moonbeam striking your cast-off glass slipper

“Pressing into the Depths” was published in the November 2018 peaceCenterbooks anthology, The Larger Geometry: poems for peace, edited by d ellis phelps.

Review of Stephanie L. Harper’s The Death’s Head’s Testament

WOW!
The inimitably brilliant, insightful, and sensitive Daniel Paul Marshall has written a gorgeous review of my new chapbook, The Death’s-Head’s Testament! Please take a look, and consider pre-ordering a copy for just $6.50 each!

Daniel Paul Marshall

The Death’s Head’s
Testament

continues on from Stephanie’s previous book This
Being Done
& fortunate for us Stephanie is in the present progressive,
hammering out the dimensions of poems. The poems here continue to wade in the
difficulties of womanhood, family, child-rearing, love, life, memory &
death.

There
is wakeful invention, an intellectual alacrity, sure-footedness even on the
tremulous ground of the heart in the track of each advancing line. Something
common-place, is elevated to heightened importance if only for it being what it
is: a potential for articulation & loving.

Despite
the morbidity of the title, I hope (well-founded on the verve of being a
life-bringer & cultivator, which Stephanie wears unashamedly on her sleeve)
that Stephanie isn’t concerned as Roy Fisher expresses in Poplars that“I think I
am afraid of becoming a cemetery of performance.” Stephanie’s performance is to
be anticipated.

Stephanie sets off from a harbour in…

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What a Patriot Dreams

Starlight 03
What a Patriot Dreams

I saw the flags come down—
their masts falling like the trees
flattened by shockwaves
in those clips of old footage
from military nuclear bomb tests,
spliced into high school history documentaries.

They weren’t projected celluloid etchings
that teenagers confined to plastic chairs
could summarily cancel
with one hand motioning No
in the universal vernacular…

Caught in a wash of floodlights
on the indigo summer dusk,
the red-white-blue swaths crushed
in on themselves like torn parachutes,
& all vanished at once—deposed

by morning’s first, grainy insinuations
that breached the blinds’ periphery,
& accreted into a single, silent force
creeping along my bedroom walls,
as if to thwart illumination:

In this country of my own
birth & citizenship, I’ve, in turn,
given birth to two, precious children—

my riven heart’s two halves now trussed
in a spectacular fiasco of feathers & wax.

STEPHANIE L. HARPER

“What a Patriot Dreams” was first published (in slightly different form) in the November 2018 issue of CatheXis Northwest — thank you to editor C. M. Tollefson for selecting this piece for inclusion in your beautiful journal — and appears in my newest chapbook, The Death’s-Head’s Testament, available NOW for pre-sale purchase for the fantastic price of $6.50 per copy (currently slated for release in April 2019)!

CLICK THIS LINK to my author page at Main Street Rag, which includes commentary on and sample poems from The Death’s-Head’s-Testament, to order your copy today, that the poetry gods shall smile on you for all the rest of your days!! 

Pre-Publication Order Link to Robert Okaji’s New Chapbook

Our favorite poet, Robert Okaji, is truly at his finest in this “luminous” collection! Order his must-read chapbook today!

O at the Edges

I have a bird box

The publication date for I Have a Bird to Whistle (7 Palinodes) is February 25, and Luminous Press is currently offering copies for $7.50, shipping included, to U.S. addresses, through the 24th. Unfortunately, Luminous doesn’t ship internationally, but I will take care of those orders myself.

Order link for U.S. shipping addresses.

Contact me at aBirdtoWhistle@yahoo.com for orders to be shipped outside the U.S.

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Painted Chickens

 

Painted Chickens

Twenty years ago
I received a birthday gift
from a close college buddy-slash-sometime lover
(What on earth were we thinking?).
Back then, our past was already in the past
& twenty-four was already not young.
He gave me a coffee mug
covered in chickens—

yes, painted chickens—

three plump specimens posed around the outside,
& one that looks like an index finger
with an eye, a comb, a beak, & a wattle,
slapped onto the bottom.

How, I can’t fathom,
but my friend knew that those chickens
with their orange-red, expressionistic bodies
would be a boat-floater for me—

the one time I had slept with him
had been an epic shipwreck,
with a silent drive to the airport in its wake;

on the way, we choked down pancakes,
& I stifled sobs in my coffee,
averting my eyes
from the helpless horror in his.
I then flew off into the wild, wide sky,
bewildered, drowning.

Somehow, for years to come,
his southern gentlemanly charms
still served to allure:
he kept his promise to write
& took pains to catalogue for me
the details of his worldly escapades
& various, accompanying sexual conquests,
always making sure to emphasize
the ways in which they were hot for him,
so as to prove those trysts’ relative rightness.

Then, years later, for my birthday,
came the unexplainably gratifying
chicken cup.

Still burning hot
& feathered in their chili-pepper red,
royal purple & verdant green cloaks,
my static & impossibly happy
aphrodisiac chickens
blush like lovers on a Grecian urn;
clucking, urgent.

My southern gent,
now so long ago flown from this callous coop,
wooed another & had his own brood,
as, in due course, did I,
but the mug, no worse for wear, remains
a spectacular feature—
like a bright birthday piñata
(with its promise of sweet reward)—
of my sacred morning ritual.

These chickens,
still ecstatically surprised,
letting out unabashed, open-beaked caterwauls,
adorn my most aged & prized coffee mug;

a vessel, perfectly-sized,
it cups its contents so adoringly,
fiercely,
like an egg enveloping its cache of gold,
as I take privileged sips.

The big chicken on the left
might actually be a rooster,

& that one on the bottom,
a middle finger.

STEPHANIE L. HARPER

“Painted Chickens” appears in my new chapbook, The Death’s-Head’s Testament, scheduled for release in March 2019. If you like what you’ve seen so far, please take advantage of Main Street Rag Publishing Company’s fantastic pre-order sales offer of $6.50 per copy while it lasts, and feel great about your generous support of this enormously grateful poet! 

Place your order HERE today! 

To the Dead White-Throated Sparrow

“To the Dead White-Throated Sparrow” appears in my new chapbook forthcoming in March from Main Street Rag: The Death’s-Head’s Testament<<Available here for pre-order purchase for the fantastic price of $6.50/copy! 

White-throated_Sparrow_Audubon
To the Dead White-Throated Sparrow

_____in my driveway:
Would you at least do me the courtesy
of an explanation?

What’s with your belly-mound-
cenotaph-arisen-from-the-stony-gloom
spiel?  And why

this exquisite bundle of yours,
with its still-tender russets
folded in the unbounded repose

of a napping cherub,
as if you didn’t believe
you were still reaching for the clouds?

_____I mean,
was your plump little belly’s
sky tribute supposed to un-stone the gloom

underfoot (as if
your heavenward-splayed
finger-knobs, all ruddy-bottomed

like a napping cherub,
never knew their very purpose
was reaching for the clouds)?

The spectacle of your tiny black
lids pressed shut in sudden,
brutal resignation to croaking

_____underfoot (even
consecrated by such skyward-clasping,
ruddy-bottomed branchlessness)

hardly passes for
transubstantiation…  Why package
a fully-intact cadaver’s senselessness in

the spectacle of black-faced
brutality’s sudden,
penitent resignation to permanent blindness

for stealing a glimpse
of the sun?  Besides, adaptive
hydrophobia á la iridescent feather-sheath

_____hardly passes for
transubstantiation…  Why package
a fully-intact cadaver’s senselessness in

this exquisite bundle of yours,
with its still-tender russets
folded in the unbounded repose

of a dead sun-god, as if iridescence
were designed expressly for
stealing a glimpse of the afterlife

in my driveway?
All right, buddy, just do me this one favor:
Spare me, would you?

STEPHANIE L. HARPER

Napping Cherub

“To the Dead White-Throated Sparrow” was first published in slightly different form in  Underfoot Poetry. Thank you to editors Daniel Paul Marshall and Time Miller — both fabulous poets in their own right! — for selecting this piece.