I finally received my contributor’s copies of this gorgeous issue of Foothill Journal, Volume 12 — which includes my poem, “(Cento) I’m tired of understanding…” — presented by Claremont Graduate University in November 2022. I’m grateful to editors Lauren Davilla, Holly Eva Allen, Emily Schuck, and Stacey Park for their outstanding professionalism throughout the publication process.
My poem, “Dear Autocorrect,” was published last month on Five South’s weekly humor column, One for the Road. I’m grateful to editor Kristen Simental and the Five South team for featuring this piece (accompanied by a lovely introduction and original artwork, no less!). I hope you enjoy reading it as much as I enjoyed, uh, letting it write itself! 😉
Special thanks also goes to Jazz Jaeschke for initially sponsoring (and inspiring!) this poem during my husband Robert Okaji’s September 2021 fundraiser for Brick Street Poetry.Â
Photo credit: “Brown” by Robert Okaji
Thank you to editor Tom Zimmerman of The Big Windows Review for selecting “Winter Poem” for publication on The Big Windows’ website and in its upcoming print journal. I’m so pleased my poem has found such a lovely home.
The amazingly talented editor, d. ellis phelps, has done it again!
I couldn’t be more honored to be a contributor to this beautiful project with my poem (and opening piece of this anthology!),”American Beech.”
American Beech
Let’s try, here,
in the cloud-grey
of this centuries-old beech—
stunning Bathsheba,her toes, immense,
clinging to the path’s edge—
to be held
tightly enough;let’s try, in this world
feathered green,
its daylight’s golden
crowns & rosy breasts,its predawn depths
teeming with robin-songs,
to dream ourselves
being alive:Shouldn’t we try
to wake up
high in this tree,
in tranquil forest-scent,roll over, lean
the other cheek against her
smooth-muscled wood
& listen?STEPHANIE L. HARPER
After months (four to be exact) of work, sorting through and considering hundreds of submissions, sending out acceptances and declines (thank goodness for Submittable), asking for and recording permissions and adding contributors to my database, re-reading and arranging the book, creating a cover image (many thanks to Cynthia Yachtman for her art that graces the cover), sending out the proof copy, publishing the digital version here, answering hundreds of emails, re-reading and making edits and more, woodlands (Moon Shadow Sanctuary Press, 2022) is finally ready!
This beautiful anthology includes the work of forty-nine writers and artists (we’ve included full-color art this time) from across the United States, Canada, and South America, most of whom are accomplished, seasoned writers.
The title poem and the concept for the book were generous gifts from Spirt Thom. His poem, 14 Ways to Stay Awake is the finale for the book…
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Photo by Treimehr at Morguefile.com
My poems “Come High Water” (80) and “Testament” (83) are now live in the Blades issue of Moss Puppy Magazine. I’d like to thank Founder and Editor in Chief Melissa Martini for selecting my work to be included in this inspiring collection of passion and artistry.
I’m proud and excited to share my new poem, “Praying Mantis,” which has found the loveliest of homes at The Dodge Literary Magazine! Thank you to poetry editor Leah Kaminski for selecting and championing my work and to managing editor Jamie A. M. for their efficient, beautiful, and meticulous work on the webpage layout.
“Praying Mantis” is the first to be published of a series of poems I’ve been composing in a newly-invented experimental form (yes, there’s more where this one came from!), which my son, Matthew, has brilliantly and aptly named the “In-titled Poem.”
I’m more grateful than I can express to editor Sara Watkins of Spoonie Press (home to the annual online and print publication, Spoonie Journal, and the weekly online Spoonie Magazine) for helping me share my story about raising my gorgeous, extraordinary son, Matthew: To Be the One to Say, “Yes!”
If you’ve followed my work even for a short while, you’ll be acquainted with my poetic accounts of Matthew’s autism. I had to dig deep for this longer-form prose piece. Let me know your impressions and feel free to share a link to this story with anyone out there who you believe could benefit from our experience — your engagement means the world to me!
I’m pleased to share that my poem, “(Cento) Because the world is,” is now live in the magnificent collection of visual and literary art that is the Spring 2022 issue of The Night Heron Barks. I’m grateful to editor Rogan Kelly for including my cento (a poem cobbled together from the words of other poets) among such a lineup of literary stars (please do check them out!). What an honor!
I unfortunately never got my hands on Matthew’s soup photos in infrared…
I’m honored and proud that my poems “Infrared” and “Terminal”* are represented among the pages of the fantastic inaugural edition of Spoonie Press Literary Journal! Please take some time to peruse the user-friendly website, and consider purchasing a copy of the gorgeous print edition.
I’m grateful to editor Sara Watkins for including my work in the scope of her visionary, inspiring, gorgeous project. Congratulations to all the contributors whose combined efforts have resulted in this truly special collection of literature and art.
Read about SPOON THEORY
My new crown of Covid-19 sonnets, A Crown Most Unroyal, is today’s poetry feature at Vox Populi. I’m deeply grateful to Editor Michael Simms for his enthusiasm, support, and vision in brilliantly pairing my poems with Thom Hartmann’s essay on the “GOP death cult” and enhancing the “legitimacy” of our contributions to the “political discourse.”
I wish you all safety, sanity, and every possibility for joy as we continue to plod through…
SLHARPERPOETRY 