Remains the Dark

blackhole-1

Remains the Dark

                            “How I wanted to be that sky—”  ~ Ocean Vuong

What is want, if not the forsaken
self’s inexorable reversion to self?

Just as your virtual arrival at the event
horizon must propagate only departure

this eternal leaving you actually are
is the mouth’s forgotten swallow,

is sustenance un-sought,
is your every trace & its antithesis

at once ceasing to mean.
Though emptied, you are no less

unfathomable: the black belly remains
the dark you’ll never grasp how to be.

STEPHANIE L. HARPER

“Remains the Dark” was published in the Spring 2019 Showcase at The Zen Space, among a gorgeous collection of poetry, along with haiku and *tiny poems* by Lynne Burnett, the late Ron Evans (curated by Robert Okaji), and others, expertly edited by and adorned with the original black and white photography of the brilliant Daniel Paul Marshall.

Rhapsody in Bone

Rhapsody in Bone

Beneath the frozen fathoms of the sea,
a maiden’s body swells in rhapsody;
her father made her sustenance for fish
and creatures yet unseen by human eyes,
who feed until the carrion is spent.

The maiden’s bones roll over with the tide,
entwined with deep-sea coral colonies,
and where her eyes were, now are dwellings kept
by denizens who have no need of light
beneath the frozen fathoms of the sea.

Though water’s currents quell the dolphins’ calls,
the doleful cries her fecund corpse intones
uncoil the sodden hearts of others’ souls,
while hers, forsaken, flounders in the dark.
A maiden’s body belts a rhapsody,

because her father threw her from a cliff:
butt-hurt that she’d flat-out refused to stroke
his ego (teeny-peeny sack, he was,
of whims that changed as often as the winds),
her father made her sustenance for fish,

yet could not stop his daughter’s sunken bones
from breathing sirens’ cantos on the waves
and luring hunters to her icy grave—
that home to lonely spirits of the depths
and creatures yet unseen by human eyes!

A hunter plunks his line into the sea,
where deep below, a bony treasury
still bears the stench of murder’s milky dregs,
a tangy lunch for urchins clinging fast,
who feed until the carrion is spent.

Upon the swaying surf the hunter waits
with hero’s grit,’til suddenly, a lurch—
he’s hooked the skeleton woman’s rib! This catch
has heft suggesting banquets fit for kings,
who feed until the carrion is spent!

Oy veh! He hoists her bones onto his skiff
and shits his britches fearing he’s been cursed
by Death, herself, arisen from the depths—
her salt-worn bones a host for writhing eels,
and creatures yet unseen by human eyes!

Try as he may to toss her back, he finds
her long front teeth affixed—and can’t deny
this woman he’s revived deserves to live:
those naked, tangled limbs, her smooth, bald head…
Her father made her sustenance for fish,

yet could not stop his daughter’s sunken bones
from going viral with their exposés—
though water tries to quash the dolphins’ calls—
for songs of fuckhead fathers make us sick,
when maidens’ bodies swell in rhapsody!

Though many hunters know the songs of bones,
scarce few boast true cajones, fewer still
behold the face of Death with steadfast gaze,
and grow to love and keep all she became
beneath the frozen fathoms of the sea.

STEPHANIE L. HARPER

“Rhapsody in Bone” was first published in May 2017, in editor Nate Ragolia’s awesome journal, Boned: A Collection of Skeletal Writings, and was subsequently included in my chapbook, This Being Done.

Dead Rose at 5 Points Local

I can’t begin to express how deeply soul-nurturing it is for me to collaborate with such an extraordinarily generous and brilliant man and poet as Robert Okaji!

O at the Edges

Dead Rose at 5 Points Local
(A collaborative poem written with Stephanie L. Harper)

Having plucked the disheveled
petals from the core,
she waits
for the dead to speak
of last week’s sweetness—

of damp upholstery
and worn-out shoes,
of locked chests
and the faint honey
of unrealized hope.

Magnetized,
I twist the stem;
I quarter the seeds and
blemish the plate.
Which north rings true?

Which faded-red
bridge reveals the lost
inner compass?
Our ice cubes clink
no answers, as the essences

of hibiscus, lavender,
and mint slip over my tongue,
concealing the cool
tang of her demurring
ghosts…

But when she says whisper,
touching her lips
with an index finger,
I hear distant trains
baying like wolves,

and smell the char of nights
trailing the undiminished
river, its waters flowing
in every possible
direction, away.

* * *

“Dead Rose at 5 Points Local” first appeared in

View original post 16 more words

Pressing into the Depths

Old-growth Oak

Pressing into the Depths

of an old-growth oak grove on your search for virgin peat     having     naturally     preemptively considered the human calcaneus poised on its subcutaneous fat pad (the sturdy lovechild     as it were     of evolution & bipedal ambulation); you go     whole-soled     knowing nature engenders no freaks     & that the point of weight-bearing     actually     is to sink-spring to life your very own     rooted     upward mobility—to elapse your mossy quiet’s once upon a time into cantilevered boom     to mushroom & split your bark like a seething     green superhero     (who leaves you in tatters)      harden yourself new gnarls to gather lichens      & ever after phosphoresce the midnight fog like a moonbeam striking your cast-off glass slipper

“Pressing into the Depths” was published in the November 2018 peaceCenterbooks anthology, The Larger Geometry: poems for peace, edited by d ellis phelps.

Review of Stephanie L. Harper’s The Death’s Head’s Testament

WOW!
The inimitably brilliant, insightful, and sensitive Daniel Paul Marshall has written a gorgeous review of my new chapbook, The Death’s-Head’s Testament! Please take a look, and consider pre-ordering a copy for just $6.50 each!

Daniel Paul Marshall

The Death’s Head’s
Testament

continues on from Stephanie’s previous book This
Being Done
& fortunate for us Stephanie is in the present progressive,
hammering out the dimensions of poems. The poems here continue to wade in the
difficulties of womanhood, family, child-rearing, love, life, memory &
death.

There
is wakeful invention, an intellectual alacrity, sure-footedness even on the
tremulous ground of the heart in the track of each advancing line. Something
common-place, is elevated to heightened importance if only for it being what it
is: a potential for articulation & loving.

Despite
the morbidity of the title, I hope (well-founded on the verve of being a
life-bringer & cultivator, which Stephanie wears unashamedly on her sleeve)
that Stephanie isn’t concerned as Roy Fisher expresses in Poplars that“I think I
am afraid of becoming a cemetery of performance.” Stephanie’s performance is to
be anticipated.

Stephanie sets off from a harbour in…

View original post 1,207 more words

Pre-Publication Order Link to Robert Okaji’s New Chapbook

Our favorite poet, Robert Okaji, is truly at his finest in this “luminous” collection! Order his must-read chapbook today!

O at the Edges

I have a bird box

The publication date for I Have a Bird to Whistle (7 Palinodes) is February 25, and Luminous Press is currently offering copies for $7.50, shipping included, to U.S. addresses, through the 24th. Unfortunately, Luminous doesn’t ship internationally, but I will take care of those orders myself.

Order link for U.S. shipping addresses.

Contact me at aBirdtoWhistle@yahoo.com for orders to be shipped outside the U.S.

View original post

Painted Chickens

 

Painted Chickens

Twenty years ago
I received a birthday gift
from a close college buddy-slash-sometime lover
(What on earth were we thinking?).
Back then, our past was already in the past
& twenty-four was already not young.
He gave me a coffee mug
covered in chickens—

yes, painted chickens—

three plump specimens posed around the outside,
& one that looks like an index finger
with an eye, a comb, a beak, & a wattle,
slapped onto the bottom.

How, I can’t fathom,
but my friend knew that those chickens
with their orange-red, expressionistic bodies
would be a boat-floater for me—

the one time I had slept with him
had been an epic shipwreck,
with a silent drive to the airport in its wake;

on the way, we choked down pancakes,
& I stifled sobs in my coffee,
averting my eyes
from the helpless horror in his.
I then flew off into the wild, wide sky,
bewildered, drowning.

Somehow, for years to come,
his southern gentlemanly charms
still served to allure:
he kept his promise to write
& took pains to catalogue for me
the details of his worldly escapades
& various, accompanying sexual conquests,
always making sure to emphasize
the ways in which they were hot for him,
so as to prove those trysts’ relative rightness.

Then, years later, for my birthday,
came the unexplainably gratifying
chicken cup.

Still burning hot
& feathered in their chili-pepper red,
royal purple & verdant green cloaks,
my static & impossibly happy
aphrodisiac chickens
blush like lovers on a Grecian urn;
clucking, urgent.

My southern gent,
now so long ago flown from this callous coop,
wooed another & had his own brood,
as, in due course, did I,
but the mug, no worse for wear, remains
a spectacular feature—
like a bright birthday piñata
(with its promise of sweet reward)—
of my sacred morning ritual.

These chickens,
still ecstatically surprised,
letting out unabashed, open-beaked caterwauls,
adorn my most aged & prized coffee mug;

a vessel, perfectly-sized,
it cups its contents so adoringly,
fiercely,
like an egg enveloping its cache of gold,
as I take privileged sips.

The big chicken on the left
might actually be a rooster,

& that one on the bottom,
a middle finger.

STEPHANIE L. HARPER

“Painted Chickens” appears in my new chapbook, The Death’s-Head’s Testament, scheduled for release in March 2019. If you like what you’ve seen so far, please take advantage of Main Street Rag Publishing Company’s fantastic pre-order sales offer of $6.50 per copy while it lasts, and feel great about your generous support of this enormously grateful poet! 

Place your order HERE today!