I’d like to express my gratitude to poet-, editor-, and human-extraordinaire Catherine Strisik for including my poem, “Message in a Bottle to Arthur Sze,” in the gorgeous new issue (issue 13) of Taos Journal of Poetry. I’m thrilled for this chance to share my poem with you, and deeply honored that it now resides amongst such gloriously earnest, inspired company…
Ye Royale Pileated Woodpecker, Sir Ethan, photo by Matthew Harper
It’s an honor and a pleasure to share with you my poem, “Pileated Woodpecker,” which appears in the gorgeous summer 2023 issue of Crab CreekReview! Thank you editors David J. Daniel’s and Julia Hands for selecting my work.
I’m honored and thrilled for these two pieces—inspired by my daughter, Cameren, and my son, Matthew, respectively—to be featured together in such an impressive journal.
I’m excited to share this feature of my following poems: “Child’s Pose,” “Indigo Bunting,” Gateway,” and “(Cento) On the Way Back to Dreaming” which is now live at the splendorous journal, Resurrection Magazine!
I’m grateful to editors Ingrid M. Calderon-Collins and John Collins for their warmly enthusiastic response to and publication of these little soul-bundles…
I finally received my contributor’s copies of this gorgeous issue of Foothill Journal, Volume 12 — which includes my poem, “(Cento) I’m tired of understanding…” — presented by Claremont Graduate University in November 2022. I’m grateful to editors Lauren Davilla, Holly Eva Allen, Emily Schuck, and Stacey Park for their outstanding professionalism throughout the publication process.
Thank you to editor Tom Zimmerman of The Big Windows Review for selecting “Winter Poem” for publication on The Big Windows’ website and in its upcoming print journal. I’m so pleased my poem has found such a lovely home.
The amazingly talented editor, d. ellis phelps, has done it again! I couldn’t be more honored to be a contributor to this beautiful project with my poem (and opening piece of this anthology!),”American Beech.”
American Beech
Let’s try, here, in the cloud-grey of this centuries-old beech— stunning Bathsheba,
her toes, immense, clinging to the path’s edge— to be held tightly enough;
let’s try, in this world feathered green, its daylight’s golden crowns & rosy breasts,
its predawn depths teeming with robin-songs, to dream ourselves being alive:
Shouldn’t we try to wake up high in this tree, in tranquil forest-scent,
roll over, lean the other cheek against her smooth-muscled wood & listen?
After months (four to be exact) of work, sorting through and considering hundreds of submissions, sending out acceptances and declines (thank goodness for Submittable), asking for and recording permissions and adding contributors to my database, re-reading and arranging the book, creating a cover image (many thanks to Cynthia Yachtman for her art that graces the cover), sending out the proof copy, publishing the digital version here, answering hundreds of emails, re-reading and making edits and more, woodlands (Moon Shadow Sanctuary Press, 2022) is finally ready!
This beautiful anthology includes the work of forty-nine writers and artists (we’ve included full-color art this time) from across the United States, Canada, and South America, most of whom are accomplished, seasoned writers.
The title poem and the concept for the book were generous gifts from Spirt Thom. His poem, 14 Ways to Stay Awake is the finale for the book…
My poems “Come High Water” (80) and “Testament” (83) are now live in the Blades issue of Moss Puppy Magazine. I’d like to thank Founder and Editor in Chief Melissa Martini for selecting my work to be included in this inspiring collection of passion and artistry.
I’m proud and excited to share my new poem, “Praying Mantis,” which has found the loveliest of homes at The Dodge Literary Magazine! Thank you to poetry editor Leah Kaminski for selecting and championing my work and to managing editor Jamie A. M. for their efficient, beautiful, and meticulous work on the webpage layout.
“Praying Mantis” is the first to be published of a series of poems I’ve been composing in a newly-invented experimental form (yes, there’s more where this one came from!), which my son, Matthew, has brilliantly and aptly named the “In-titled Poem.”