What a Patriot Dreams

Desert Flags2
What a Patriot Dreams

 

I saw the flags come down—
in a scene that scrolled in slo-mo,
& from multiple vantages—
their masts falling like the trees
flattened by shockwaves
in those clips of old footage
from military nuclear bomb tests,
spliced into documentaries
for high school history classes;

except, my dream version’s vivid images
weren’t the projected celluloid etchings
that teenagers confined to plastic chairs
could summarily cancel from sight
with one hand motioning No
in the universal vernacular.

From a sweeping arc of floodlights
that rendered the indigo skyline
of an early-summer dusk starless,
the flags all vanished at once—
their wingless, red-white-blue heaps
crushing in on themselves, darkening,
& dropping like torn parachutes.

Sleep’s last claim on my consciousness
was that horizon of empty haloes
the mass plummet had left behind,
before my eyes fluttered open
to this morning’s first, grainy insinuations
that breached the blinds’ periphery,
& accreted into a single, silent force
creeping along my bedroom walls,
as if it could somehow thwart illumination
of my most preposterous, waking truth:

that in this country of my own
birth & citizenship, I’ve, in turn,
given birth to two, precious children—

my riven heart’s two halves now trussed
in a spectacular fiasco of feathers & wax.

STEPHANIE L. HARPER

I wrote this poem a little over a week ago upon waking—or, rather, not having the luxury of waking—from the nightmare of our country succumbing before our eyes to a fascist coup. I don’t generally post such new, raw work, but there seemed to be little sense in waiting with this one.   

Anatomy of a Fustercluck

Starling_Fustercluck

It’s thanks to crime scenes like this
that I sometimes dread people,
particularly the way they flock to orange pylons,
fluster in clumps like maimed birds,
and hatch out stories,
which are always either parboiled in half-truths,
or scrambled by hypocrisy. 

Take that camera-laden busy-body, for instance,
piqued there, barely disguising her hope
of spawning a murmuration—
donning her intrepidly purple polo,
she’s the self-declared ruler
of the pecking order that’s been bred into us
for the engendering of our chronicles:

Clearly, she knows how to swaddle her offspring
with ample pageantry
to ensure the stork’s swift delivery
of her inchoate prince.

Like Cronus, her Titan predecessor,
who swallowed up his own children
to thwart the prophecy of his time-driven demise,
she’s devouring a flood of raw peptides
from the sea-thick breeze
wafting right past the preoccupied deputy,
to sate her enduring appetite
for stone-cold lies.

Meanwhile, that blond-haired man
in the short shorts and flip-flops,
fixated on his faux-gold wristwatch,
has been pacing this whole time
on the cluster’s fringe,
completely cracked.

If you ask me,
he’s as guilty as the day is long.

STEPHANIE L. HARPER

“Anatomy of a Fustercluck” won the Rattle Magazine January 2016 Ekphrastic Challenge, and appears in my forthcoming chapbook, THIS BEING DONE (Finishing Line Press, available for pre-publication order February 2018 — stay tuned for more information!!). I’ve been thinking a lot these days about crime scenes, guilt, and the fraught task of sorting out sensationalism from the horrors of reality… That’s all.

January 2017 Open Mic

I am participating in the January 2017 Open Mic on Words and Feathers. Please go to the link provided to hear a rendition of my poem, “Anatomy of a Fustercluck,” which was recorded with help from my son, Matthew.

Many thanks to Crow for hosting this event!

Anatomy of a Fustercluck made its first and only prior appearance on Rattle magazine’s website in February 2016.

Words and Feathers

It’s a new year. We’ve all got these feelings still building up inside us like moisture inside a kernel of popcorn  If we don’t let them out soon, POP! out insides will be outsides and no amount of butter and salt will make it better.

I’m here for you. The January 2017 Open Mic is now open for you to record your poems/songs/rants/diatribes. But please, no money-making schemes.

The Skinny:

  1. Record yourself reading one of your own works.
  2. Post it on your site.
  3. Include a link to this site in your post.
    OR Comment on that month’s call for entries
    OR send me a message using the contact form.
  4. I will post a link with your name and poem title RIGHT HERE.
  5. It’s an open mic invitation. NOT a challenge.

Some tips:

  • Go simple.
    I record using my iPhone, then email/share the file with myself. I very rarely edit it…

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