I’m pleased to share that I have contributed two poems, “Urn” and “Nocturne,” to d ellis phelps’s random beauty ii series at formidable woman sanctuary. Please scroll down to the end of page iii to read my little ditties and take some time to explore some of my co-contributors’ soul-fortifying testaments along the way! Upon accepting my poems for publication, d thanked me for being supportive of fws projects (as a contributor to several series so far), but please know that I believe in the uplifting energy of communal creativity that d curates at fws, and it’s my honor to participate.
poetry
Poem Live in Taos Journal of Poetry
I’m pleased and honored to share that my poem, “The Final Frontier,” is featured among the radiantly vital (digital) leaves of the just-released Taos Journal of Poetry #15. I’m grateful to editor/publisher/poetess extraordinaire Catherine Strisik for welcoming this piece into TJOP’s splendorous folds. “The Final Frontier” also appears in my newest chapbook, We Have Seen the Corn, released in June 2025 by the lovely independent press and “publishers of fine poetry,” Kelsay Books.

“Embodied”
I’m proud to share that Robert Okaji and I both have poems (pasted below) appearing in The Body – An anthology of poetry, an inspiring volume of body-centric poetry (available internationally via Amazon) published by Rough Diamond Poetry Journal. We’re grateful to EIC Charlotte Cosgrove for including our work in this luminous collection.





Poem Live in Hare’s Paw Literary Journal

I’m pleased to share the news that my poem, “Sestina for My Birthright” (a.k.a., “the pickle poem” 😉🥒), has been housed in the loveliest of neighborhoods at Hare’s Paw Literary Journal. I’m grateful to editor Olivia Thomes for selecting this piece for publication.
In-titled Poem Live in Neologism Poetry Journal
I’m honored to be a repeat contributor to the very fine online literary entity, Neologism Poetry Journal. I’m grateful to editor Christopher Fields for his impeccable professionalism — not to mention his fantastic sense of humor! — and for selecting for publication my In-titled Poem, “Would You Come Looking for Me?”
Thanks, also, to my dear friend and poetic colleague extraordinaire, Michael Vecchio, for supplying this piece’s title and inspiring (however inadvertently) the shenanigans that ensued…
New Chapbook Announcement!
I’m super pleased and proud to announce that I have a poetry chapbook collection forthcoming with Kelsay Books: We Have Seen the Corn will be entering production in May 2025, and will be available for purchase soon thereafter (Don’t worry, I will keep you updated!). By the way, the gorgeous graphic above is the illustration my immensely talented and generous daughter, Cameren Harper, created expressly for use as the cover of We Have Seen the Corn, for which I’m inexpressibly grateful!
This little collection has been a long time in the making and most of the individual poems have been previously published (including the title poem, below*), but what I’m most thrilled about is this opportunity to amass and share with you all these words of grief, growth, joy, and celebration into one beautiful entity dedicated to my husband, inspiration, love of my life, brilliant poet, and most extraordinary (and freaking adorable!) of human beings, the one and only, inimitable Robert Okaji (idk, you may’ve heard of him…).
I’ve been sitting on this news for quite a while, but I’ve decided that there couldn’t be a better time to make such an announcement than during our revered National Poetry Month, so the cat is officially clawing her way out of the bag!
Thank you so much for sharing this poetic moment with me! And stay tuned for more info as it comes available!
*We Have Seen the Corn
with twelve-hundred miles
of fields in our wake
I am aching
to slip among those stalks & touch
their silk-topped ears all conspiring
skyward now
to beguile the birds’ cries from the brim
of that thundercloud
burgeoning
over the Nebraska plain
let’s pull off the interstate so we can
stretch our legs for a bit
Indiana will wait
split those crows’ itinerant
congregation there & park
right alongside the unending green
I want to enter
its late-sun-streams sifting the sky motes
crimson-gold & stirring
the cicadas’ whirrs & earwigs’ scuttles in the loam
to a viscous chorus
& with my hand clasped in yours press
another lush measure
into our song’s sweet & sultry folds
~STEPHANIE L. HARPER
Poem Live at Formidable Woman Sanctuary
Please join me in extending my heartfelt thanks to Editor D. Ellis Phelps for including my poem “Glory Be…” in the Fall 2024: solace vol. 1 no. 1 issue of the lovely online journal, formidable woman sanctuary (scroll down). Who knew this little ode of mine would find such an absolutely perfect home?
Note on the above accompanying photograph: Matthew was immersed in the awesome enterprise of backyard astrophotography in approximately the same timeframe during which I first drafted this poem, which may explain some things…
Also, please consider submitting work that uplifts, comforts, and consoles for the current issue of fws: solace HERE. Works are being published in the issue as they are accepted. Submissions for the fws: solace issue will remain open until March 2025.
Letter from the Other Side of Halfway
Letter from the Other Side of Halfway
Dear Bob: In one of my former incarnations
as a starving, family-less, twenty-something
grad student, well before the advent of emails
& texting, when handwritten sentiments
on stationery were still in vogue, I certainly
sent my share of “Dear Bob Letters.”
The recipients thereof, on the whole
a far cry from being remotely “Bob-like,”
included a number of real posers, some of whom
now strut & crow on Facebook like the hoary
roosters they clearly are. Too many others are dead,
several by their own hands, even—
a stone-cold statistic I grapple with, sorting
through surreal, a posteriori details by day
& at night chasing after their egotistical ghosts
in my dreams, always with the conviction
that some message for me yet lurks
in the dry lakebeds & sunless recesses of the Nether,
a realm to which the tips of my toes & then some
are no strangers. Manning the paned threshold
between me & my secrets is only this pinkish-
translucent swath of chiffon, which I’m afraid
doesn’t leave much to the imagination,
so, consider yourself warned, Amico Mio!
Against our current backdrop of imbecilic
plutocrats, political sycophants & psychopaths
bearing assault rifles, hardly to be tempered by
the incidental, decent soul, it wouldn’t take
a discerning eye long to know me better
than I know myself, which is just about the only thing
I know anymore… In my attempts to locate myself,
I’ve often looked to nature—these days, it’s among
the imposing Sequoias we glorify here in the Northwest,
along with the cottonwoods, as haughty & fertile
as they are indiscriminate, stripping off their seed-fluff
every chance they get, which doesn’t seem to bother
the scrub jays deigning to my level for a squawk
now & then before ascending to a higher branch.
Whatever folks might say about birds of a feather,
well, after a number of stints in earnest spent
staking out the local hens—who always kept
their most tender petticoats tucked under drab
slickers, yet so brusquely exposed any biting
commentary to the cold & rain—
I’ve yet to locate my flock, so the search
has turned southeastward: Taking a tip
from the meadowlark, I veer for the high desert,
my flight path crossing the sagebrush-dotted,
volcanic earth, hoping I’ll soon look down,
just beyond those convection columns braced
against the electric blue sky, & see you
floating in a sea of ten-gallon hats.
I don’t suppose your self-claimed “exile”
looks as poetic as I’ve imagined? It’s not
without a twinge of jealousy that I seek
consolation in your brand of solitude
on the other side of that horizon line; as exile,
it would seem to me, involves the condition
of having at some point belonged somewhere,
as in, other than the field I’ve been “out
standing” on my whole life, where I’m not
exactly practiced at belonging; which is why
I feel I ought to find out what I’ve been missing.
So, I’m heading out beyond the Cascades; past
the swaggering of sage grouses in the eastern uplands;
reaching for that horizon—green seeping to red,
clouds feathering out & never further from us
than one step ahead—where you can be sure
I’ll always be no more than a step away from you
& ever your honest friend, Stephanie.
First drafted in May 2017, in the homestretch of the grueling Tupelo Press’s 30/30 Challenge I wasn’t quite sure I’d complete, “Letter from the Other Side of Halfway” was my response to Robert Okaji’s gorgeous January 2017 poem addressed to me, “Letter to Harper from Halfway to the Horizon.” Yes, it took me a while to process (and savor!) the fact that we were cultivating what seemed for all the world like the most precious, significant friendship I’d ever known, beyond anything I’d ever dared to dream of. Learning what it meant to “sculpt another morning truer than its source…” together, with the man I was beginning to realize I’d been searching for my whole life, now became my life’s imperative. He is my trajectory, my home, my beating heart, my truth, my truest love growing truer every day.
Two Poems Published in The Iowa Review!
Yes, my friends, this is a thing that’s happening IRL!
Please join me in expressing my heartfelt thanks to The Iowa Review editors Lynne Nugent and Jen Frantz for selecting my poems, “Pelvic Organ Prolapse” (photo included below) and “The Shape of Unsayable,” for publication in TIR’s issue 54.1 (spring 2024). I’ll post an update when the link to order copies of this issue is available.

I’m in Pleiades, Y’all!
Thank you Pleiades editors Jenny Molberg and Caitlin Cowan for selecting my In-titled Poem, “Inappropriate Sinus Tachycardia,” for inclusion in the beautiful SPRING 2024 issue’s Special Folio: On Disability, ed. by Olivia Ellisor and Kennedy Horton.









