Letter from the Other Side of Halfway

Vision Board_GISH 2016
Letter from the Other Side of Halfway

Dear Bob: In one of my former incarnations
as a starving, family-less, twenty-something Grad
Student, well before the advent of emails & texting,
when handwritten sentiments on stationery were still
in vogue, I certainly sent my share of “Dear Bob Letters.”
The recipients thereof, on the whole a far cry from being
remotely “Bob-like,” included a number of real posers,
some of whom now strut & crow on Facebook like
the ancient, hoary roosters (read: cocks) they clearly are.
As for the others (more of them than you might imagine),
they’re all dead, several by their own hands, even—a stone-
cold statistic (the seeming synchronicity of which is tough
to ignore) I frequently grapple with, sorting through conjured,
a posteriori details & associated, surreal imagery by day, &
chasing after egotistical ghosts in my über-symbolic dreams
by night, always with the conviction that some message for me
yet lurks in the dry lakebeds & sunless recesses of the Nether,
a realm to which the tips of my toes & then some are no strangers.

The only window-treatment manning the threshold between
me & my secrets is a translucent-pink swath of chiffon,
which I’m afraid doesn’t leave much to the imagination—
so consider yourself warned, amico mio! Against the current
backdrop of imbecilic plutocrats, political sycophants,
& psychopaths bearing assault rifles, hardly to be tempered
by the incidental, decent soul, it would not take a discerning
eye long to know me better than I know myself, which is just
about the only thing I know anymore…

In my attempts to locate myself, I often look to nature—
these days, it’s among the imposing Sequoias we boast here
in the Northwest, along with the showy cottonwoods, as fertile
as they are indiscriminate, stripping off their seed-fluff every
chance they get, a prospect that doesn’t seem to bother
the scrub jays deigning to my level for a squawk now & then
before ascending to a higher branch. Whatever folks might say
about birds of a feather, well, after a number of earnest stints
shadowing the local hens—the way they kept those vibrant
petticoats tucked under their brown slickers, & their biting
commentary having seemed uniquely suited to the cold & rain—
I’ve yet to locate my flock, & the search has turned southeastward:
Taking a tip from the meadowlark, I veer for the high desert,
my flight path crossing the sagebrush-dotted, volcanic earth,
hoping I’ll soon look down & see you floating
in a sea of ten gallon hats, just beyond the convection
columns braced against the electric blue sky.

I don’t suppose your self-claimed exile looks anything
like I’ve imagined? It’s not with a small twinge of jealousy
that I seek consolation in your brand of solitude on the other
side of that horizon line; as exile, it would seem to me,
involves the condition of having at some point belonged
somewhere. Now, after a lifetime spent standing out in my field,
I’m not very handy at extrapolating any other kind of belonging,
& feel I ought to find out what I’ve been missing.

So, I’m heading out past the Cascades & the swaggering
sage grouses of the eastern uplands, reaching for that horizon—
green seeping to red, clouds feathering out, & no further from us
than one step beyond our any given station—where you can be
sure I’ll always be no more than a step away from you, & ever
your honest friend, Stephanie.

STEPHANIE L. HARPER

Western Meadowlark

“Letter from the Other Side of Halfway,” my response to Robert Okaji’s gorgeously soul-fortifying poem, “Letter to Harper from Halfway to the Horizon,” was first penned during the Tupelo Press 30/30 Project in May 2017, and subsequently published in Underfoot Poetry (thank you to editors/authors Daniel Paul Marshall and Tim Miller for generously hosting my work!) in July 2018. This piece also appears in my newest chapbook, The Death-Head’s Testament, NOW available for presale order (@ $6.50 per copy, a significant discount off the cover price!), scheduled for release in March 2019.

7 Poems Up at Underfoot Poetry!

White-throated_Sparrow_Audubon

I’d like to express my gratitude to Tim Miller for hosting my quirky (some might say, “Harperesque”) poems (along with 2 collaborations with the one and only Robert Okaji!) at his fabulous blog, Underfoot Poetry (<< read them here); to editor Daniel Paul Marshall for his professionalism and the distinct pleasure it has been working with him and getting to know him and his work; and last but not least, to Robert Okaji, for his friendship, mentorship, collaboration, humor and sensitivity, and all-around beautiful, generous soul.

Beesiness as Usual

Beesiness As Usual_Matthew Harper

One of the many advantages giving birth to and raising a natural-born photographer offers, is that when your debut chapbook of poetry gets accepted for publication nineteen years later (and you happen to have the slightest inkling of how blessed you are), you will already have an “in” with a brilliant cover artist!

I’m so proud to share with all my WordPress Compatriots that this gorgeous photo, “Beesiness as Usual,” by my son, the one and only Matthew Harper, will be gracing the cover of my poetry chapbook, This Being Done (Finishing Line Press). Stay tuned for more announcements regarding my book’s availability for pre-publication order and estimated release date (don’t worry, I won’t let you forget…)!

In the meantime, please check out the following beautiful poetry collections — also forthcoming from Finishing Line Press — and available for order now:

From Every Moment A Second, by Robert Okaji

Anastasia Maps, by Devi S. Laskar

 

Recording of Robert Okaji’s Poem, “Mayflies”

Hear the words that inspired this artwork for the cover of Robert Okaji’s new chapbook, *From Every Moment A Second* in the voice of the man himself!

O at the Edges

“Mayflies” is included in my chapbook, From Every Moment a Second, forthcoming from Finishing Line Press. FLP is taking prepublication orders here. It was also the inspiration for the artwork gracing the cover. I am in debt to Stephanie L. Harper for providing such a vivid and appropriate piece of art for the book.

Please note:  prepublication sales determine the print run, which means this stage is crucial in terms of how many copies will be printed and the number of copies I’ll receive as payment. So if you feel inclined to help, and are able, please purchase your copy before August 11. Thank you!

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