An Elegy for Birds & Bees

Lavender Kiss_Matthew Harper

“Lavender Kiss,” by Matthew Harper

An Elegy for Birds & Bees

“When a woman pretends to press her life down into a nice, tidy little package, all she accomplishes is spring-loading all her vital energy down into shadow. ‘Fine. I’m fine,’ such a woman says… Then one day, we hear she has taken up with a piccolo player and has run off to Tippicanoe (sic) to be a pool hall queen…”                               Clarissa Pinkola Estés

over & over in habitual drone
i repeat a phrase in my mind that no one knows i say
because i have not told
i am saying i’m done
but this being done
is how i know i will never be done
though my climbing son
a speck eighty feet high in a skyline of swaying cedars
can heft the storm clouds away
from his own silvery horizon
& my seeking daughter
has tenacity enough     without me
to prize out four leaf clovers
from speciously green reaches
_____but i will never release
this breath of finality that i keep
choked in my throat behind earnest songs for my children
no     & i will swallow the rising bile
when the Northern Flicker perches
on our aluminum chimney top     puffed-up
so proud in those marrow-less bones
of his impervious skull’s clever     territorial ricocheting

being done happened
within my own sinew-lined pelvis
the cracked bowl
filled     drained     & refilled
with meticulously rich essences
long after anything living had been fed
the relentlessly heavy     gnawing
red slough of losing myself
to nothing     for nothing
frightened me
_____& so     i had the offending flesh cut out
the fossilized rind that was left is now locked
with its un-told stories
beneath eons of hardened sediments

this being done happens in spring
while i am driving alone
it happens quickly
in instants of lapsed attention
in overzealous moments of stony apathy
when windshield wipers stick unexpectedly
or when sudden     pink shafts of evening sun
transmute newborn lambs bucking
for tender grass & mother’s milk
into silhouettes haunting the roadside
_____the being done
is all these countless     fleeting deaths
i tear into strips     soak in chewed glue
& fashion together to house myself
in a prodigal    crinkled    purgatorial prune

these tiny     stinging      imprudent suicides
should all be spirited away from their haughty blooms
& borne into the ancient hive
clutched industriously
to the undersides of fuzzy exoskeletons
_____there     my secret     greedy orchestrations
would become coded in sacred routines
my life programmed in dance
& propagated by ecstatic waggles & fastidious figure eights
to a crescendo of communal comprehension
of the one     seminal purpose
of the being done that shall be

done at all costs
the Queen’s Royal Jelly must be
sealed with wax in her hexagonal vaults

STEPHANIE L. HARPER

“An Elegy for Birds & Bees” first appeared in the 2015 edition of Slippery Elm Literary Journal — thank you editor Dave Essinger for your gracious and validating support of my work! — and is the title poem of my new chapbook, This Being Done, available NOW for order at Finishing Line Press, and scheduled for release in June 2018.  For more insight into this piece’s inception and the role it played in informing the collection as a whole, check out my recent Q&A with Robert Okaji.

My heartfelt gratitude goes out to everyone for your investment in (as well as your abiding engagement with and enthusiasm for) my work. It truly means the world to me.

Recording of “Anatomy of a Fustercluck”

Starling_Fustercluck

“Anatomy of a Fustercluck” appears in my new chapbook, This Being Done, and was the “editor’s choice” winner of Rattle magazine’s January 2016 Ekphrastic Challenge. Thank you, Timothy Green, for seeing something of what I hoped would be seeable, and for your validating comment on this piece:

“From the start, this painting gave me an unsettling feeling, as if I’d sat down to watch Seinfeld and didn’t realize this was actually Twin Peaks. I couldn’t quite explain why, but this cast of characters just seemed so annoying. When I read this poem, I realized, ‘That’s it! They’re flustering in clumps like maimed birds!’ Harper makes sense of it for me, and with both humor and craft. Even the last line, which seems at first a cliché, fits perfectly—this kind of day is long, isn’t it?”

THIS IS THE FINAL WEEK OF PREORDER SALES FOR:

This Being Done, available for preorder NOW until April 27, 2018 at Finishing Line Press. The number of copies sold during the preorder sale will determine my print-run, so every single order makes a huge difference for my book’s release (scheduled to ship on June 22, 2018)! To order, click: HERE! I’m grateful for your support!

Alabaster

alabaster
Alabaster

I am a pink rose petal’s pale glow

black ash tamped in furrows
between the breaths of the living
& the droning of the dead

the dawn’s blush unfurling over sand dunes

& seagulls soaring on thermal spirits
of iodine     salt     & shellfish

& sometimes     scattering in the wind
I can’t find where everything else ends     & I begin

Now rising from the morning hush     this cloud of me
speaks to the red tail hawk perched on a streetlamp
& tells her I’m fine     because I’m still not sure
how to talk about not being fine

I am an instar     trying to be
the clearest version of myself     to sculpt
a final skin of lucent crystal

so that when you come to see my cinder eyes
glinting diamond dust     I will be
the embered dusk bleeding into the sea

& you will know the truth of me

STEPHANIE L. HARPER

“Alabaster,” having first appeared in print in Sixfold magazine, winter 2014, is included in my new chapbook, This Being Done,

Harper_Stephanie_COV

available now at Finishing Line Press until April 27, 2018, for pre-publication order. The number of orders received during this period will determine the print-run scheduled for release on June 22, 2018. I’m grateful for your timely orders to help my work take flight! RESERVE YOUR COPY HERE TODAY!

Anatomy of a Fustercluck

Starling_Fustercluck

It’s thanks to crime scenes like this
that I sometimes dread people,
particularly the way they flock to orange pylons,
fluster in clumps like maimed birds,
and hatch out stories,
which are always either parboiled in half-truths,
or scrambled by hypocrisy. 

Take that camera-laden busy-body, for instance,
piqued there, barely disguising her hope
of spawning a murmuration—
donning her intrepidly purple polo,
she’s the self-declared ruler
of the pecking order that’s been bred into us
for the engendering of our chronicles:

Clearly, she knows how to swaddle her offspring
with ample pageantry
to ensure the stork’s swift delivery
of her inchoate prince.

Like Cronus, her Titan predecessor,
who swallowed up his own children
to thwart the prophecy of his time-driven demise,
she’s devouring a flood of raw peptides
from the sea-thick breeze
wafting right past the preoccupied deputy,
to sate her enduring appetite
for stone-cold lies.

Meanwhile, that blond-haired man
in the short shorts and flip-flops,
fixated on his faux-gold wristwatch,
has been pacing this whole time
on the cluster’s fringe,
completely cracked.

If you ask me,
he’s as guilty as the day is long.

STEPHANIE L. HARPER

“Anatomy of a Fustercluck” won the Rattle Magazine January 2016 Ekphrastic Challenge, and appears in my forthcoming chapbook, THIS BEING DONE (Finishing Line Press, available for pre-publication order February 2018 — stay tuned for more information!!). I’ve been thinking a lot these days about crime scenes, guilt, and the fraught task of sorting out sensationalism from the horrors of reality… That’s all.

Painted Chickens

chicken mug

Photo of actual coffee mug in question, circa 1994.

Twenty years ago
I received a birthday gift
from a close college buddy-slash-sometime lover
(What on earth were we thinking?).
Back then, our past was already in the past
& twenty-four was already not young.
He gave me a coffee mug
covered in chickens—

yes, painted chickens—

three plump specimens posed around the outside,
& one that looks like an index finger
with an eye, a comb, a beak, & a wattle,
slapped onto the bottom.

How, I can’t fathom,
but my friend knew that those chickens
with their orange-red, expressionistic bodies
would be a boat-floater for me—

the one time I had slept with him
had been an epic shipwreck,
with a silent drive to the airport in its wake;

on the way, we choked down pancakes,
& I stifled sobs in my coffee,
averting my eyes
from the helpless horror in his.
I then flew off into the wild, wide sky,
bewildered, drowning.

Somehow, for years to come,
his southern gentlemanly charms
still served to allure:
he kept his promise to write
& took pains to catalogue for me
the details of his worldly escapades
& various, accompanying sexual conquests,
always making sure to emphasize
the ways in which they were hot for him,
so as to prove those trysts’ relative rightness.

Then, came the birthday gift—
the unexplainably gratifying
chicken cup.

Still burning hot
& feathered in their chili-pepper red,
royal purple & verdant green cloaks,
my static & impossibly happy
aphrodisiac chickens
blush like lovers on a Grecian urn;

clucking, urgent.

My southern gent,
now so long ago flown from this callous coop,
wooed another & had his own brood,
as, in due course, did I,
but the mug, no worse for wear, remains
a spectacular feature—
like a bright birthday piñata
(with its promise of sweet reward)—
of my sacred morning ritual.

These chickens,
still ecstatically surprised,
letting out unabashed, open-beaked caterwauls,
adorn my most aged & prized coffee mug;
a vessel, perfectly-sized,
it cups its contents so adoringly,
fiercely,
like an egg enveloping its cache of gold,
as I take privileged sips.

The big chicken on the left
might actually be a rooster,

& that one on the bottom,
a middle finger.

STEPHANIE L. HARPER
Chicken with attitude

“Painted Chickens” was first published in the winter 2014 edition of Sixfold magazine.  I was inspired to post it on the blog today by a dream I had the other night involving a brood of chickens who were all trying to ingratiate themselves to me with their eggs, all of which were severely malformed and/or proportionally impossible to have been laid by the given, proud clucker presenting it. One of the eggs gifted to me was shaped like a tiny, raw roast that fit in the palm of my hand. Trying not to snub this sweet avian’s generosity, I remarked, with all the casualness I could muster, “Oh, it looks like this one isn’t quite done yet,” and I gently set it back in the nest. From the slapped expression on my friend’s feathered little face, however, I’m pretty sure she knew the score… A viable analysis of this one as yet eludes me, so I’m definitely open to suggestions!    

How to Take an Amazing Photo of a Solar Eclipse

Eclipse.PNG

“Solar Eclipse with Sunspots” by Matthew Harper

 

First,
get knocked up,
plan a wedding in three months
and waddle down the aisle in white pumps
that fit you when you bought them. 

Gain a total of forty-eight pounds
while throwing up for forty weeks,
and give birth to a nine-pound baby boy,
who is bigger and cries louder than any other
newborn in the maternity ward. 

After you blink once or twice,
find yourself moving across the country
for your husband’s engineering job,
with three cats, the six-week old baby,
and all of their respective paraphernalia
crammed into a purple minivan. 

Critical Step: Raising Your Boy
To do this, start learning more about more things than you knew existed;
begin appreciating that this cherubic, gorgeous,
but almost alien issue of your loins
sees individual ice crystals in distant clouds,
hears crickets chirping at dusk
over the sound of rush-hour traffic,
plays the piano with no lessons better than you ever will. 

Have conversations with your boy (that he begins)
about the waxing gibbous moon
when he is still in diapers.

Don’t freak out when he runs to the garage to feel the water main
every time someone flushes the toilet
for an entire year. 

Realize that this otherworldly child means no slight
when the Valentine’s Day card he makes for you in first grade says,
“Dear Mom, I love the plants from Chris Tuffli’s science project.”

Scoop your bottom jaw off the floor
when he inquires about how nerve impulses
not only respond to, but initiate thoughts
(you will have had about seven years
to prepare for this moment,
but your heart will still flutter dangerously). 

Believe that you are the only one who notices
that he has decided not to “turn left”
during the ages of eight and nine.

Get comfortable slinging around terms
like high-functioning autism, echolalia,
sensory integration dysfunction, perfect pitch
and freaking genius.

Find a place deep in your understanding that “gets”
how he is not unloving, ungrateful, or deliberately obtuse,
but admirably, unprecedentedly honest and real.
Become very angry when his teachers and coaches
try to justify being put-out
and dare to assign blame to a child,
rather than consider how they, being the adults,
might assume responsibility
for their interactions with him. 

Fall fiercely in love with your magnificent boy,
so that your heart screams, your scalp hurts,
and your vision blurs
in this unsympathetic, simple-minded world’s injustice.
It will then be easy for you
to put aside your concerns about ruffling feathers,
making waves, and rocking boats.
You will do anything necessary
to arm your son to thrive, shine,
and find his own joy.

Trust in his gift of seeing every moment
in terms of geological time––
of constantly holding the cycles of mountains
rising up and eroding away in his mind’s eye––
and strain in your every breath, step, and toss in your sleep
to grasp
how his world is wholly un-glossed over
by super-imposed paradigms. 

Never try to propagandize him
into a semblance of societal expectation.

Never believe for an instant that you
should temper your awe of him. 

When he is a teenager,
endure an epic tongue-lashing
from your superego,
then fork out the dough,
anyway,
for the camera of his dreams.

STEPHANIE L. HARPER

Thank you to Editor Dave Essinger for publishing “How to Take an Amazing Photo of a Solar Eclipse” alongside Matthew’s amazing photo (above) in the 2016 edition of Slippery Elm Literary Journal. This piece is also included in my new chapbook, This Being Done, now available for pre-publication order from Finishing Line Press HERE!

Matthew Harper is an avid photographer and videographer of wildlife, weather, and astronomical phenomena, the more extreme—i.e., skunks and coyotes, thunderstorms, meteor showers and solar eclipses—the better. He is also an accomplished digital artist and musician. Matthew recently completed his high school studies as a home schooler, and earned a Certificate in Audio Technology from the Oregon School of Music Technology. He currently lives with his family in Hillsboro, OR.

Oh, yeah, he’s a gymnast, too! “Intense Matthew!”

If I Saw Aidan Turner Walking Down the Street…

Aidan Turner

I would not stop to contemplate the earth beneath,

nor for a second consider that I
was already in junior high when he was born,

never mind that my daughter is now the age I was
when that star-to-be emerged from the womb,

replete with a tuft of black curls, which I can’t help
but to surmise. The pubescent one views

him in his full, adult glory: deep voice, just enough scruff
to pass as a vampire or Middle Earth heart-throb,

provocatively bedecked in black leather
and a lucky cloud of Irish cadences.

The girl, I’m certain, believes she would reach him first—
fully trusting in her sprightly aptitudes,

and in my usual habit to step aside
in favor of promoting her self-assurance.

True, I’ve not been tough enough on her in some ways—
I’ve resisted going in for a hard tackle

to strip her of a ball at foot in one quick breath,
nor have I generally used my advantage

of momentum in everyday foot-races:
ordinarily, I’ll feign a fall to foster

her confidence in her maturing limbs;
in most cases, I’ll give her a healthy head-start, but

if I saw Aidan Turner walking down the street,
I would at once neglect her youthful sighs,

her earnest blushing, her sweet, redolent gaze
transfixed in goofy stupefaction, and discard

the prospect of the joy I’d feel in watching her watch
herself becoming a woman (through watching him 

make love to cameras in a perfect balance
of feigned humility and stunning sex-appeal).

In fact, I’d rather not imagine the abject horror
my impressionable offspring might well suffer,

if I saw Aidan Turner walking down the street.

 

An earlier version of this poem appeared in Sixfold magazine, winter 2014.

Rest assured, my daughter has since made it to age 16, no worse for the wear.

Brave

towering pine

Some things leave no room for misunderstanding,
like your climbs to the tops of towering pines,
and your belief that you can never cry.

At age five, you dream of a woman
with wings like a bat dressed all in black.
She swoops down, grabs you, pins you in her lap,
and while hitting you over and over, she’s whispering
that it will end when you stop struggling;
so you pretend to relax until her grip loosens
and then you fight to escape, but each time
her strength overwhelms you. It takes
several beatings before you realize
she is trying to help you, she is teaching you
how to be brave—
how to be so still
that you can let yourself have no feeling
when the scratchy hands are pressing into you,
like the night lets itself be swallowed by darkness.

An eight-year-old now, you’re standing
outside their locked bedroom door, waiting
for your mother to call to you
as he yells his nonsense, rips out drawers,
and slams the walls with his fists.
When something made of glass shatters
against the vanity, her cry of surprise
convinces you to call the police.
They come and go in a flash—
barely pausing to ruffle your hair
and chuckle
that it was all “just a misunderstanding”—
and they leave you there,
to keep being unseen.

For most of the school year,
at age eleven, you are chronically ill:
the oozing, itching, grey-swollen chickenpox lesions
that make you potently untouchable,
lead to an infiltration of fevers, flooded lungs,
and swollen, piercing tonsils and ears
that hold you prisoner from the inside,
but soon you come to know your captors
as the oddly loyal, untiring allies
who keep you warded at night, for months.
Your classmates are jealous, though,
that you still make passing grades
in your constant absence from school—
on the phone, they accuse you of faking,
and you can’t help the feeling, either,
that being sick really is a kind of cheating,
like getting something you want
without doing anything to earn it.

Mom is taking you to open a bank account
with your own passbook, though you’re just twelve
(her eyes are still swollen from crying yesterday),
so you can sign for the money you’ll need to get
yourself and your little brother to the airport
to fly to an uncle you barely know in New York,
if she either goes missing, or you find her dead,
because, as she’s confided to you—
and you have no reason not to believe it—
your father vowed to kill her.
For the next three years, then (she doesn’t know),
you skip lunch at school and save the money
to deposit into the “plane ticket” account.
No, she never gets murdered,
maybe even because you always keep watch,
like the kind of parent you’d want to be would,
even after your father finally moves out
during the same summer you get your tonsils
(and the disease they harbored) removed.

You’re now proving to be a picture of health
(though you bear the hunger of indignity, standing
in lines in the school gym for government hand-outs
of peanut butter, processed cheese and expired bread),
because you can run like no one else.
You are your soccer coach’s favorite, you believe,
because you are tough, and you work the hardest.
He makes a fuss over you like you are special,
takes you out for ice cream, has you come along
on fishing trips with his sons, and invites
you over for dinner, or to stay the night,
and you never consider he’ll expect you to repay him
for these casual, kind gestures, until
he’s suddenly always touching and hugging you
as if it is his right, and even though you make sure
only to be in public places with him,
in plain sight of your teammates’ parents,
you can’t discourage his lewd hovering,
or his propositions (which he thinks are charming)
for you to fuck him in the back of his van.
Somebody should be watching!
Somebody should be watching!
People are watching, but they only see
the things that have no need
for invisibility, like the crude posturing
of a man just being a man—

just someone who reserves
the Scouts’ clubhouse through Parks and Rec
for a “team meeting” that you feel obligated to attend;
someone who waits on a weekday evening
in a prefab aluminum building
with the lights dimmed
for a fifteen-year-old girl to enter alone,
while, at home, his own kids watch T.V.,
and his wife keeps his dinner warm.

Some things leave no room for misunderstanding—

like the lust throbbing in a man’s neck,
the presumption gleaming in his eyes,
and the fact that wrongs always pile upon wrongs
in the same way he now heaps this assault from behind,
with his thick hands fumbling for your breasts,
on top of his preposterous lie;

and so when he leans in with his belly
and his cock stiffens against the small of your back,
a scream gets trapped in your throat,
and you find yourself struggling wildly—
you elbow him hard in the ribs,
then rear up and ram your head into his chin,
and somehow stun him long enough
to get away—

you get away,
but leaving yourself there
unseen in the dark
doesn’t ever feel brave.

STEPHANIE L. HARPER

“Brave” first appeared on this blog in June 2016. It was since published in the anthology by TulipTree Publishing, LLC, entitled, Stories That Need to Be Told, a powerful collection of stories and poems (available for purchase on Amazon), and a finalist for a 2017 Colorado Book Award!

Alabaster

 

alabaster

I am a pink rose petal’s pale glow

black ash tamped in furrows
between the breath of the living
& the souls of the dead

the dawn’s blush unfurling over sand dunes

& seagulls soaring on thermal spirits
of iodine      salt     & shellfish

& sometimes     scattering in the wind
I can’t find where everything else ends     & I begin

Now rising from the morning hush     this cloud of me
speaks to the red tail hawk perched on a streetlamp
& tells her I’m fine     because I’m still not sure
how to talk about not being fine

I am an instar     trying to be
the clearest version of myself     to sculpt
a final skin of lucent crystal

so that when you come to see my cinder eyes
glinting diamond dust     I will be
the embered dusk bleeding into the sea

& you will know the truth of me

embered-dusk

A previous version of this poem first appeared in Sixfold magazine, winter 2014.

Wise at Thirty-Five, Revised at Forty

out-out-brief-candle

          “Out, out, brief candle!
Life’s but a walking shadow, a poor player
That struts and frets his hour upon the stage,
And then is heard no more.”             William Shakespeare

Yes, those two, distinct ages of mine
pulled off quite the elaborate spectacle—
circling one another in yin-and-yang-fashion,
gurgling toward a neurotic crescendo,
then sputtering into oblivion.

In relishing the living left to do,
I relive the living that can’t be
redone—today’s waterfall of yesterdays
spills over into the uncertain basin
of tomorrow.

I once believed I was unmovable,
a boulder’s crest in a rushing stream—
but soaked as I am to the bone in cold humility,
I now glisten my own, trembling shadows.

“Tomorrow and tomorrow and tomorrow”—
the tomorrows do keep their “petty pace”—
and regardless of how we spend, squander,
mete out, or justify them,
we eventually forget their order,
and lose track of which ones were real,
and which were dreaming,
or whether any one’s disappearance over the cliff’s edge
is quantifiably different from any other’s.

I have tried and failed to live up to
the tomorrows’ skulking expectations
performing the scenes from a moral composition,
which I now get that I had scripted for myself:
I’ve faced pink-nosed and dreamy-eyed
into an icy, winter wind—to look exotic,
like the cover illustration for Eloise in Moscow,
and I’ve lapped naked at the river banks
beneath a sun-streaked summer sky,
only to discover
no dance of mine was ever beautiful enough
to move the seasons.

I’ve sulked in self-abasement,
practicing absurd, measured detachment,
surrounded by strangers in trendy coffee houses,
making sure to be seen there
with my lattés, huddling, frenetic,
filling in crosswords with mechanical pencils.

One windy, winter morning,
swathed in a café’s doughy warmth,
I watched through the window
as a leaf flapped in the street,
as if it were some creature curling in its death throes,
the lifeblood ebbing from its wrinkled veins.

For an age, it darted in and out of traffic,
calculating each of its narrow misses,
so that it could leap anew—yet for all
of its clever tail-spinning

it could not stop being be a leaf.

boulder-stream

An earlier version of this piece made its first appearance in Sixfold magazine, Winter 2013.