Another In-titled Poem has found its perfect home in cyberspace! Thanks to lovely editors Andrea, Clara, and Jeff of Panoply, my poem, “Writer’s Block is a Bitch,” which also happens to be a Petrarchan sonnet (because I’m just like that…), is now published in issue 27. I’m especially proud and pleased that my poem appears alongside my husband, Robert Okaji’s awesome excursion into feline metaphysics, and a host of other luminous poetry and short prose.
My poem, “Dear Autocorrect,” was published last month on Five South’s weekly humor column, One for the Road. I’m grateful to editor Kristen Simental and the Five South team for featuring this piece (accompanied by a lovely introduction and original artwork, no less!). I hope you enjoy reading it as much as I enjoyed, uh, letting it write itself! 😉
Special thanks also goes to Jazz Jaeschke for initially sponsoring (and inspiring!) this poem during my husband Robert Okaji’s September 2021 fundraiser for Brick Street Poetry.
I’m so pleased to share my poem, “On Domestic Life & Other Stories of Carnage,” inspired by a certain maker of mischief, which is now live in issue 48 of Neologism Poetry Journal! Thank you EIC Christopher Fields for selecting this piece and for being an absolute professional and pleasure to work with!
In celebration of World Poetry Day, I offer the following “syntactic echo” of the ineffably ingenious innovator of American Poetry, Walt Whitman. This poetic exercise was the brainchild of one Alessandra Lynch (i.e., I’m not entirely to blame…), instructor/facilitator of my spring 2021 Poetry Workshop in the Butler University MFA Program.
Of These and All
“And of these one and all I weave the song of myself” ~ Walt Whitman, Song of myself 15
The left flesh-melon harbors a pool of sweat, the right flesh-melon harbors a
pool of sweat,
The perimenopausal woman hot-flashes in the kitchen, the bemused son dons
wool slippers in the kitchen,
The second husband purchases electric socks for his perimenopausal wife and
the ex-husband dissociates further from his ex-wife;
And these stoke my hankerings for donuts, and I make do with home-baked
banana-nut muffins,
And such as it is to amass five decades of knowledge, minus where I last left my phone,
more or less I am in fact speaking on it,
And of these hot flashes, cantankerous joints, suddenly-uncloseable pants and all I
justify the lament of my middle-age…
My sonnet, “Because I Said So,” is live at The Literary Nest.
Thank you Pratibha Kelapure for selecting this piece. “Because I Said So” was first drafted during the May 2017 Tupelo Press 30/30 project. I’m grateful to Clyde Long for sponsoring and providing the title for this poem, as it was a joy to compose!
To think that we see them so often yet so rarely
consider how those piebald songbirds so at home
on a snow-scape in their portable parkas are made of
the exact same stuff we use to fill up our electric sky & neon
watermelon nylon winter coats which must be designed
expressly for us to go out there looking ridiculous
not to mention callous (clothed as it were in outright exploitation)—
is the thing I’m pondering as I observe through the window
a little house finch all feathery & poofed with his flushed cheeks
flitting over the snowy patio pecking among the abandoned
bench-feet for invisible if not entirely non-existent morsels
& hawking an air of self-possession that is obvious even to me
in my current incapacitated state
As for whether the red-crowned retina specialist
who conducted my examination was young &/or fetching
the prospect was murky (his brisk entrance at the climax
of my dilation coupled with his expertly-executed clasp
of my hand inspired my fleeting impression he’d been both)
& all bets were off the very moment the white-cloaked smeary
hulk of him ambushed my defenseless retinas with an impossibly
aggressive radiant device thus affording me the pivotal elucidation:
that a). the anomaly on my fundus autofluourescence images
is simply an unremarkable patch of variegated pigmentation
b). it was only natural to expect that the definition
of such a lexical wonder as variegated would elude the layperson
& c). I am indeed obliged by gratuitous pigeonholing
to take categorical offense
Not that I’m usually so bold as to co-opt medical jargon
but I’m pretty certain variegated is the only word that could
aptly account for what’s right now comprising the better part
of my visual experience as embodied by this polka-dotty
aberration also known as a scone I resorted to purchasing
in the hospital café thus affording myself the pivotal illusion:
that a). I’m quite absorbed in an earnest task
while waiting here in the lobby for my ride
& b). I wouldn’t otherwise be averting
my freakish black gaze from passersby
because c). I’m the kind of person
who always smiles at everyone as if to say
I accept you for who you are no matter what…
I’ve gathered that the dark splotches must be
cranberries—however vainly their vague sweet-tang
serves to redeem their crumbly substrate’s alleged
alimentary function
Still the finch remains staunchly committed
to my functional blindness as if by sheer force of his
impending command its concomitant scone-silage
would transcend the glass & sift to the frozen ground
“Dilated” was published by CatheXis Northwest Press in November 2018 (they seem to be having difficulties with their website). Thank you to editor C.M. Tollefson for accepting this piece!
My poem, “Lament on Mayuary” (modeled after John Keats’s “Ode on Melancholy”), is featured in the Kosmos journal July newsletter’s Summer Gallery of Poets (scroll to the bottom). Thank you to Kosmos Poetry Editor Carolyn Martin for selecting this piece!
Hypochondria Blues
What you’ve got is only a touch of neurosis,
so don’t get your knickers all bunched in a twist—
such worries can give you a deep vein thrombosis!
Do you think there’s a prize for a self-diagnosis?
Stop looking for lesions; don’t palpate that cyst!
What you’re dealing with here’s just a bit of neurosis…
That smartphone is gonna cause spinal stenosis!
The search engine’s warning that if you persist,
you’ll likely wind up with a deep vein thrombosis!
You’d have known it by now if you had halitosis—
like a boil, it’s not something easily missed.
Better face it, you’ve got a small case of neurosis…
Now, what would possess you to google psychosis?
Let me guess… The voices submitted a list?
Are they helping you summon a deep vein thrombosis?
It’s not a news flash you’ve got some type of –osis—
but the poking of badgers is what gets them pissed…
So give it a rest! Embrace your neurosis!
Who needs all the fuss of a deep vein thrombosis?
(Just to be on the safe side, look up pneumonoultramicroscopicsilicovolcanoconiosis…)
“Hypochondria Blues” was published in the anthology, The Larger Geometry, by peaceCENTERbooks. Thank you to editor d ellis phelps for including my work in this beautiful and inspired collection!
The peaceCENTER, a 501(c)(3) nonprofit organization in San Antonio, Texas, supports the learning of peace through prayer and education; and supports the demonstration of peace through nonviolent actions and community. All proceeds from the sale of this anthology go to benefit the peaceCENTER.
Twenty years ago
I received a birthday gift
from a close college buddy-slash-sometime lover
(What on earth were we thinking?).
Back then, our past was already in the past
& twenty-four was already not young.
He gave me a coffee mug
covered in chickens—
yes, painted chickens—
three plump specimens posed around the outside,
& one that looks like an index finger
with an eye, a comb, a beak, & a wattle,
slapped onto the bottom.
How, I can’t fathom,
but my friend knew that those chickens
with their orange-red, expressionistic bodies
would be a boat-floater for me—
the one time I had slept with him
had been an epic shipwreck,
with a silent drive to the airport in its wake;
on the way, we choked down pancakes,
& I stifled sobs in my coffee,
averting my eyes
from the helpless horror in his.
I then flew off into the wild, wide sky,
bewildered, drowning.
Somehow, for years to come,
his southern gentlemanly charms
still served to allure:
he kept his promise to write
& took pains to catalogue for me
the details of his worldly escapades
& various, accompanying sexual conquests,
always making sure to emphasize
the ways in which they were hot for him,
so as to prove those trysts’ relative rightness.
Then, years later, for my birthday,
came the unexplainably gratifying
chicken cup.
Still burning hot
& feathered in their chili-pepper red,
royal purple & verdant green cloaks,
my static & impossibly happy
aphrodisiac chickens
blush like lovers on a Grecian urn;
clucking, urgent.
My southern gent,
now so long ago flown from this callous coop,
wooed another & had his own brood,
as, in due course, did I,
but the mug, no worse for wear, remains
a spectacular feature—
like a bright birthday piñata
(with its promise of sweet reward)—
of my sacred morning ritual.
These chickens,
still ecstatically surprised,
letting out unabashed, open-beaked caterwauls,
adorn my most aged & prized coffee mug;
a vessel, perfectly-sized,
it cups its contents so adoringly,
fiercely,
like an egg enveloping its cache of gold,
as I take privileged sips.
The big chicken on the left
might actually be a rooster,
& that one on the bottom,
a middle finger.
“Painted Chickens” appears in my new chapbook, The Death’s-Head’s Testament, scheduled for release in March 2019. If you like what you’ve seen so far, please take advantage of Main Street Rag Publishing Company’s fantastic pre-order sales offer of $6.50 per copy while it lasts, and feel great about your generous support of this enormously grateful poet!
Place your order HERE today!
SLHARPERPOETRY 