Ode to Sea Bunnies

“The cuddly-looking creatures come armed with ‘incredibly long copulatory spines,’” Ángel Valdés, Ph.D., sea slug expert in NatGeo Sea Bunnies

Adorable, uh, sea slugs...

Adorable, uh, sea slugs…

So small, you might’ve remained undetected!
You wonderful creatures possess verve and charm,
all sporting accessories sharply erected
 
(your cuteness-incarnate is quite unaffected)
and poised for the pointed delivery of sperm.
So small, you might’ve remained undetected,
 
surviving the eons as nature selected,
earning maximum bang for the buck…What’s the harm
if a parcel perchance has a part that’s erected?
 
Where kits are concerned, a caboodle’s expected…
You sweet marine emblems of Easter disarm
with spirit too bold to remain undetected,
 
though vitreous bodies—with vision obstructed
by airborne banalities, vague and infirm—
still pigeonhole widgets (however erected)
 
as watertight proof our souls should be deflected
from courses and aims that outdistance the norm…
Too large for this world to remain undetected,
you hold in your quivers my hope resurrected!

STEPHANIE L. HARPER

An earlier incarnation of “Ode to Sea Bunnies” was published on this blog two years ago.

Painted Chickens

chicken mug

Found in Google Images, this is the actual mug which I still own (isn’t it wonderful?), that is featured in this poem.

Painted Chickens made its debut appearance in Sixfold Magazine, winter 2014 edition. 

Prompted to post it by Amy T., I dedicate it here to all of us who have looked back on our youths, shaken our heads,

and laughed…

Twenty years ago
I received a birthday gift
from a close college buddy-slash-sometime lover
(What on earth were we thinking?).
Back then, our past was already in the past
and twenty-four was already not young.
He gave me a coffee mug
covered in chickens––

yes, painted chickens––

three plump specimens posed around the outside,
and one that looks like an index finger
with an eye, a comb, a beak, and a wattle,
slapped onto the bottom.

How, I can’t fathom,
but my friend knew that those chickens
with their orange-red, expressionistic bodies
would be a boat-floater for me––
the one time I had slept with him
had been an epic shipwreck,

with a silent drive to the airport in its wake;
on the way, we choked down pancakes,
and I stifled sobs in my coffee,
averting my eyes
from the helpless horror in his.
I then flew off into the wild, wide sky,
bewildered, drowning.

Somehow, for years to come,
his southern gentlemanly charms
still served to allure:
he kept his promise to write
and took pains to catalogue for me
the details of his worldly escapades
and various, accompanying sexual conquests,
always making sure to emphasize
the ways in which they were hot for him,
so as to prove those trysts’ relative rightness.

Then, years later, for my birthday,
came the unexplainably gratifying
chicken cup.

Still burning hot
and feathered in their chili-pepper red,
royal purple and verdant green cloaks,
my static and impossibly happy
aphrodisiac chickens
blush like lovers on a Grecian urn;
clucking, urgent.

My southern gent,
now so long ago flown from this callous coop,
wooed another and had his own brood,
as, in due course, did I,
but the mug, no worse for wear, remains
a spectacular feature––
like a bright birthday piñata
(with its promise of sweet reward) ––
of my sacred morning ritual.

These chickens,
still ecstatically surprised,
letting out unabashed, open-beaked caterwauls,
adorn my most aged and prized coffee mug;
a vessel, perfectly-sized,
it cups its contents so adoringly,
fiercely,
like an egg enveloping its cache of gold,
as I take privileged sips.

The big chicken on the left
might actually be a rooster

and that one on the bottom,
a middle finger.