I’m always glad for the chance to publish (and thereby share 😊) another love poem inspired by my one and only, Robert Okaji! So, I’m grateful to the poetry editing team, assisted by Candice Daquin, of Parcham Magazine based in Kolkata, India, for including “Letter from the Other Side of Silence” in their August 2023 issue, which was just released on October 12.
Inspired by Aristophanes’ mythological revelation in Plato’s Symposium. 6″ X 9″ acrylic and ink on paper.
Letter to My Love, Flouting Miles
Dear Bob: Though the maps may superimpose
their abject separateness upon the thousands of miles
between us with traditional lettered-&-numbered-grids;
& though your birth into this timeline sixty years ago
graced the cosmos just shy of twelve earth-years
(also known as a full cycle of the Chinese zodiac)
before mine, I dare say that you & I are timeless—
certainly no less so than those archaic dragons
whose subterranean nests we are to extrapolate
from the fumaroles erupting at the maps' folds.
Of course, such implications of fierceness
can seem forbidding…
But for all the scaly terror of their talons
& spiky tails quaintly curled around caches
of sapphires, emeralds & gold medallions,
what those beasts are best known for
is interminable slumber, whereas we are wide awake—
besides, however notoriously considerable
our sundry existential concerns tend to be,
no one would fault us dogs for not knowing
our way home!
Long before I even knew I knew you,
something in me knew you were my One,
which is how I know I will find my way to your arms,
where I will remain yours forever, Stephanie.
Though it is Written
that grace comes only by the way
of a primordial breath,
you know it to be no less
manifest for its taking of alternate routes,
as surely it finds you by the grasping-
of-an-implement way;
by the miraculous-
proximity-of-your-notebook-
with-Munch’s-iconic-Scream-
embossed-in-gold-on-the-cover-
to-your-waiting-for-this-morning’s-
nine-grained-slice-to-toast way;
as well as the letting-
your-hand-part-the-pages-
with-a-wake-of-coffee-stains-
because-you-opt-today-
to-imbibe-your-reflux-inducing-libation-
over-not-doing-so’s-throbbing-promise-
of-a-4:00-pm-migraine way;
not to mention the way
you habitually open
the blinds to another barely-lit dawn,
that grants you a glimpse of a Northern Flicker
scrabbling for purchase on the finch feeder
in a flapping blaze of belly, feathers,
& beaked seeds flung in ceremonious
presumption of some nearby female’s interest;
or the way you finally steal a breath—
which you need to steal
before your face re-stones itself
in the memory of those children
who were murdered
in yesterday’s mass shooting
in a Texas church,
for how else can you still hope?—
which delivers you to the way
your twelve-year-old Red Heeler
recruits what measure of her
brown-eyed vigilance she can muster
to shepherd this whole
bed-headed-faux-cheetah-printed-
heartsick-kitchen-calamity of you
past the counter-top-mounds of clutter,
through the ice age shadow
of your perdition,
& back to your beginning
when you were god,
& you were the word with god,
& you were the way.
“Though it is Written” first appeared (in slightly different form) in The Winnow Magazine in November 2019. When I first wrote this piece, I couldn’t imagine a more agonizing circumstance than that which had brought about the particular tragedy weighing so heavily on me at the time. Then came the year 2020. Though I haven’t yet processed some of the things we’ve collectively experienced and emerged from (with varying degrees of scarring) enough to approach them poetically, what I do know is that the way I once devised for myself to keep finding hope still applies.
Happy New Year 2021, my friends. I wish you all the ways that guide you in the year ahead to soul-sustaining beauty, light, and love.
Thank you to editor Tara Wheeler for selecting my poem, “Trace,” for inclusion in Dust Poetry’s gorgeous Portrait issue. I’m particularly touched by Tara’s heartfelt message of appreciation for the poetry community in her editor’s note for this issue. It means a great deal to me as a contributor to know how much the editor values the artists’ voices her publication represents. This is what it’s all about!
I’m also especially excited by the timing of this issue’s release, because it just so happens that I will be reading this poem to my husband-to-be in our (socially distanced…) marriage ceremony TOMORROW, September 25, 2020!
Cephalopod
I know how you tried to befuddle me
with that ten-legged head of yours—
how you thought you’d streak by
& ink me blind, but I see
how it is: I mean, once your penetrating-
obsidian eyes shone the ocean alive,
that cute little stunt of tucking back
your longest tentacles, as if you could
pass for being one of the girls, almost
like innocuous, trifling, bipedal me,
was glaringly obvious. I know your beak
was really poised from the start to strike—
to take my breath into your breath,
& crack open my sternum, & feast
on the still-thudding muscle inside me—
because motoring between my mere
two legs, primed to be torpedoed
with your mantle, until I tauten
like a caecum gorged on tiger prawns,
is the same jet-propulsion as yours
worked in reverse…
“Cephalopod” recently languished on a short list for an inordinate amount of time — poor guy — before ultimately being rejected, so I’ve just decided to share him!
THIS BEAUTIFUL POEM!!! 😍
My poem “Clandestine” is live in Issue 6 of Kissing Dynamite. I am grateful to the KD team for taking this piece.
I can’t begin to express how deeply soul-nurturing it is for me to collaborate with such an extraordinarily generous and brilliant man and poet as Robert Okaji!
Dead Rose at 5 Points Local
(A collaborative poem written with Stephanie L. Harper)
Having plucked the disheveled
petals from the core,
she waits
for the dead to speak
of last week’s sweetness—
of damp upholstery
and worn-out shoes,
of locked chests
and the faint honey
of unrealized hope.
Magnetized,
I twist the stem;
I quarter the seeds and
blemish the plate.
Which north rings true?
Which faded-red
bridge reveals the lost
inner compass?
Our ice cubes clink
no answers, as the essences
of hibiscus, lavender,
and mint slip over my tongue,
concealing the cool
tang of her demurring
ghosts…
But when she says whisper,
touching her lips
with an index finger,
I hear distant trains
baying like wolves,
and smell the char of nights
trailing the undiminished
river, its waters flowing
in every possible
direction, away.
* * *
“Dead Rose at 5 Points Local” first appeared in
View original post 16 more words
WOW!
The inimitably brilliant, insightful, and sensitive Daniel Paul Marshall has written a gorgeous review of my new chapbook, The Death’s-Head’s Testament! Please take a look, and consider pre-ordering a copy for just $6.50 each!
The Death’s Head’s
Testament
continues on from Stephanie’s previous book This
Being Done & fortunate for us Stephanie is in the present progressive,
hammering out the dimensions of poems. The poems here continue to wade in the
difficulties of womanhood, family, child-rearing, love, life, memory &
death.
There
is wakeful invention, an intellectual alacrity, sure-footedness even on the
tremulous ground of the heart in the track of each advancing line. Something
common-place, is elevated to heightened importance if only for it being what it
is: a potential for articulation & loving.
Despite
the morbidity of the title, I hope (well-founded on the verve of being a
life-bringer & cultivator, which Stephanie wears unashamedly on her sleeve)
that Stephanie isn’t concerned as Roy Fisher expresses in Poplars that“I think I
am afraid of becoming a cemetery of performance.” Stephanie’s performance is to
be anticipated.
Stephanie sets off from a harbour in…
View original post 1,207 more words
Robert Okaji is the best collaborator in the universe — just so you know!
❤️❤️❤️
Stephanie L. Harper and I have individual poems and another collaboration inEpiphanies and Late Realizations of Love, aprint anthology of love poems, now available on Amazon.
SLHARPERPOETRY 