Instead

ctrl_alt_del_fixed_stein

‘if i decided to stop being a poet
what would i do instead?’     i asked
(my husband) the other night

the other night when it was late
it was too late to start cooking dinner
& the cattle dog who lives for order

requires order     & feels its lack
like her hackles feel static     she was pacing
between us     resorting to vocal admonishments

to higher-than-usual-pitched chortling     cajoling
someone to get with the program the other night
after gymnastics     & martial arts     & driving

driving in gridlock on multiple highways
after the shopping wasn’t done
after     & we were too hungry to cook dinner

after hunger became the side dish of the night
after my husband had worked all day
& beer number three hadn’t staved off his hunger

& hunger was a side dish     the kids snacked
on chips     & played redundant games on their phones
& the floor was unswept     the dog was anxious

her nails clicked on the unkempt floor
the cat meowed to be fed     the shopping wasn’t done
& so a can of tuna was cracked

the cat’s bowl was filled     & we gave the dog the juice
the dog lapped     then she went back to clicking
& minutes ticked another hour

while my fingers ticking on the keyboard
whooped up a frenzy of words on the screen
with hurricane intensity they swirled

they dispelled into wisps against cold fronts
& re-galvanized in isolated updrafts     but rained nothing
because meaning always slips drily away from the words

& escapes like sly prey into the woods     because
the words bravely give chase     but they were never cut out for this hunt
& they get lost     & hungry

they go hungry like an injured wolf separated from its pack
like a cattle dog lacking order     & teenagers not-talking on phones
like groceries that can’t shop for themselves

like the cat settling for tuna
well     not like that
like clacking keyboards churning up dry storms

like computer screens adrift
at the mercy of tidal waves of hunters
& peckers     & especially delete-ers

        like a poet who can’t do anything instead

like the shift key     & the alt key
like the fourth beer needs to be the ctrl + alt + delete keys
like delete is a kind of key

                        they go hungry

        like a husband

STEPHANIE L. HARPER

 

I scratched the first draft of this baby out on the back of a flyer I’d grabbed at random in a cafe, where I was killing time before I needed to pick up my kids from their respective classes (this was just about a week ago). Anyway, you may or may not find it interesting that I later discovered I’d been writing on an advertisement for an employment agency, with the caption, “Looking for a job that makes a difference?”  

How’s that for irony?

O What Do We Know About Peace?

With a nod to the late, great W. H. Auden,
and in tribute to a father’s gentle courage:
https://www.youtube.com/watch?v=xkM-SDNoI_8

#PoetsforPeace

Some say it is a fragrant lily
Opened in the morning sun.
Some think it grows in heather fields
Where yearling mule deer run.
I asked the politicians
If its measures might increase,
But they just sent more troops to war.
O what do we know about peace?

Does it taste like dates and honey,
Or like sausages on sticks?
Can you pay for it with money,
Or build it a house with bricks?
Does it make us feel protected,
Like a blanket made of fleece?
Must its pockets be inspected?
O what do we know about peace?

Whenever people disagree,
They claim they’re striving for it.
When sipping from a cup of tea,
Most folks will just ignore it;
The great philosophers have said
We’ll know it when we see it,
And surely as our blood is red,
We ought to fight to free it.

Does it soar like an osprey on steroids,
Or light up the night like the moon?
Could we grab it by flexing our deltoids,
Or float to it on a pontoon?
Does it live all alone on an island,
Or blow where it will on the breeze?
Would it last for a week without broadband?
O what do we know about peace?

I scoured beneath the kitchen sink,
And checked the freezer, too;
I tried to find the missing link
By emptying my shoe.
I followed all the pirates’ maps
That pointed to their loot,
But everywhere X marked the spot,
Its chest was destitute.

Will it come for a visit on Tuesday,
As I’m getting out of the bath?
Will I see it drive by on the freeway,
Or picking up stones in my path?
Does it come with a license to carry?
Can it truly cause terror to cease?
Is a lack of it hereditary?
O what do we know about peace?

When our children are witness to bloodshed,
And murder’s a matter of course,
Should we strap on a nuclear warhead,
Or say: mais nous avons des fleurs*?
Although hate multiplies like a cancer,
et partout, le méchant existe**,
Can’t we comfort a child with an answer?
O what do we know about peace?

*but we have flowers
**and everywhere, the bad guy exists

 

Dolphin Bodies

Dolphin Bodies

Mindful of my sandy feet skimming the sea-foam

I still try tiptoeing

the silvery flicker that parts the waters        because

unlike Christ’s canonized stroll upon the waves

my miracle

of wresting words loose from language

& setting their dolphin bodies forth

to swim into their unbound meanings

slides past

ensconced in a halo of mist

along with everything

every     last     pearlescent thing

that was lost to us

when we were emptied

& jettisoned into the sea

Brave

towering pine

Some things leave no room for misunderstanding,
like your climbs to the tops of towering pines,
and your belief that you can never cry.

At age five, you dream of a woman
with wings like a bat dressed all in black.
She swoops down, grabs you, pins you in her lap,
and while hitting you over and over, she’s whispering
that it will end when you stop struggling;
so you pretend to relax until her grip loosens
and then you fight to escape, but each time
her strength overwhelms you. It takes
several beatings before you realize
she is trying to help you, she is teaching you
how to be brave—
how to be so still
that you can let yourself have no feeling
when the scratchy hands are pressing into you,
like the night lets itself be swallowed by darkness.

An eight-year-old now, you’re standing
outside their locked bedroom door, waiting
for your mother to call to you
as he yells his nonsense, rips out drawers,
and slams the walls with his fists.
When something made of glass shatters
against the vanity, her cry of surprise
convinces you to call the police.
They come and go in a flash—
barely pausing to ruffle your hair
and chuckle
that it was all “just a misunderstanding”—
and they leave you there,
to keep being unseen.

For most of the school year,
at age eleven, you are chronically ill:
the oozing, itching, grey-swollen chickenpox lesions
that make you potently untouchable,
lead to an infiltration of fevers, flooded lungs,
and swollen, piercing tonsils and ears
that hold you prisoner from the inside,
but soon you come to know your captors
as the oddly loyal, untiring allies
who keep you warded at night, for months.
Your classmates are jealous, though,
that you still make passing grades
in your constant absence from school—
on the phone, they accuse you of faking,
and you can’t help the feeling, either,
that being sick really is a kind of cheating,
like getting something you want
without doing anything to earn it.

Mom is taking you to open a bank account
with your own passbook, though you’re just twelve
(her eyes are still swollen from crying yesterday),
so you can sign for the money you’ll need to get
yourself and your little brother to the airport
to fly to an uncle you barely know in New York,
if she either goes missing, or you find her dead,
because, as she’s confided to you—
and you have no reason not to believe it—
your father vowed to kill her.
For the next three years, then (she doesn’t know),
you skip lunch at school and save the money
to deposit into the “plane ticket” account.
No, she never gets murdered,
maybe even because you always keep watch,
like the kind of parent you’d want to be would,
even after your father finally moves out
during the same summer you get your tonsils
(and the disease they harbored) removed.

You’re now proving to be a picture of health
(though you bear the hunger of indignity, standing
in lines in the school gym for government hand-outs
of peanut butter, processed cheese and expired bread),
because you can run like no one else.
You are your soccer coach’s favorite, you believe,
because you are tough, and you work the hardest.
He makes a fuss over you like you are special,
takes you out for ice cream, has you come along
on fishing trips with his sons, and invites
you over for dinner, or to stay the night,
and you never consider he’ll expect you to repay him
for these casual, kind gestures, until
he’s suddenly always touching and hugging you
as if it is his right, and even though you make sure
only to be in public places with him,
in plain sight of your teammates’ parents,
you can’t discourage his lewd hovering,
or his propositions (which he thinks are charming)
for you to fuck him in the back of his van.
Somebody should be watching!
Somebody should be watching!
People are watching, but they only see
the things that have no need
for invisibility, like the crude posturing
of a man just being a man—

just someone who reserves
the Scouts’ clubhouse through Parks and Rec
for a “team meeting” that you feel obligated to attend;
someone who waits on a weekday evening
in a prefab aluminum building
with the lights dimmed
for a fifteen-year-old girl to enter alone,
while, at home, his own kids watch T.V.,
and his wife keeps his dinner warm.

Some things leave no room for misunderstanding—

like the lust throbbing in a man’s neck,
the presumption gleaming in his eyes,
and the fact that wrongs always pile upon wrongs
in the same way he now heaps this assault from behind,
with his thick hands fumbling for your breasts,
on top of his preposterous lie;

and so when he leans in with his belly
and his cock stiffens against the small of your back,
a scream gets trapped in your throat,
and you find yourself struggling wildly—
you elbow him hard in the ribs,
then rear up and ram your head into his chin,
and somehow stun him long enough
to get away—

you get away,
but leaving yourself there
unseen in the dark
doesn’t ever feel brave.

STEPHANIE L. HARPER

Unvoiced

Unvoiced

Illustration by S. L. Harper

The words from the dream are
wisps in the air like broken
spider webs wrapping invisibly
about my face and forearms

The fake sunrise tarp draped before me
ripples like a summer mirage
half-soaked into the rural street

and then          as if I were not supposed to
I step through and place my foot
solidly into an evening of dark specters
waiting outside of their existence
to become what I am

there

I am the cool turpentine
wash of grays seeping over
a dusting of brown sand in the road

I am the night falling upon
neglected pastures of weeds
sputtering up about the silhouettes
of tree stumps and old swing sets

I am the street lamps’ sallow illumine
peering out sensibly from between
foolish tree skeleton embraces

and I am still the child
twisting acorns into the asphalt
with the soles of her shoes

squealing gleefully into the night

STEPHANIE L. HARPER

“Unvoiced” made its first appearance in Sixfold magazine, winter 2013 edition.

I was inspired to include it on my site today after reading a little metaphysical beauty posted on Robert Okaji’s  O at the Edges , called “Irretrievable.” 

Anniversary #18

Mike and I celebrated our 18th anniversary on January 23, 2016, but I thought this poem would make a great post for Valentine’s Day… The photo I’ve chosen to accompany my poem is of a bird I’m particularly in love with — he is a Cob named Bryn, and he is the devoted mate to a Pen, Wynn. They are a glorious pair whose annual brooding and chick rearing on the moat of Bishop’s Castle in Wells are meticulously covered by brilliant photographer, Will Glenn. In this shot, Bryn’s industrious foraging in support of his mate and their progeny is not only noble and adorable, but it reminds me of Mike’s constant efforts to be a nurturing, responsible husband and father, and ever-evolving human being, who inspires me in more ways than I could ever express!

To all you lovebirds out there:

HAPPY VALENTINE’S DAY!

bryn_s_bottom_by_earthhart-d8efjc7

Photo by Will Glenn: EarthHart.deviantart.com

An engineer has just so much to say
With breath, enthusiasm, eye-contact—
And words seldom emerge in shades of gray,
But it’s your love that keeps my heart intact.

You’ve seen me at my worst and never balked,
You’ve seen me giving birth, begging for drugs,
Stood by when even I could not have talked,
And let me hide while you’ve dispatched gross bugs.

Your actions are a testament to Love
That has no need of meter, trope, or rhyme—
Lip-service, poets know, is not enough
To build a life that stands the test of time.

For eighteen years (and more!) I’ve loved you—that’s no bull!
I know I’m blessed to have a heart that feels so full!

STEPHANIE L. HARPER

The Shadow Tendrils

The Winter Solstice has traditionally been a time of reflection (both figuratively and literally!), particularly with the coming of the New Year. We decorate our environs with brightly colored lights and candle flames, or adorn evergreen trees (which, unlike us, don’t go dormant in the dark, cold months) with light-reflective crystal and metallic ornaments, in an effort to remind ourselves of all that is good, beautiful, and right with our lives, and to spur ourselves on to tweak and futz with aspects that could benefit from a change.

Today, I stumbled across this Villanelle I wrote several years ago smack dab in the middle of summer just after a Hawaiian vacation… It gives me pause to reflect on the ways that light can so easily be obscured by shadow without a good tweaking now and then… May Love and Light be with you all this Holiday Season, and always!

I sat deep in thought for a good, long while
beneath the shadow of a banyan tree
whose tendrils sought the river of denial

and reached the furthest edges of my isle.
Though entirely surrounded, I was free.
I sat deep in thought for a good, long while.

Bird calls damped in the darkness did beguile
from untold hollows looming in that tree,
whose tendrils sought the river of denial.

My mind climbed a high, winding cliff-top stile
to a fog-cloaked abode above the sea.
I sat deep in thought for a good, long while.

But my heights and depths could not reconcile
paths masked by the twilight’s shadow in me,
whose tendrils sought the river of denial.

Hid by its veil, my soul’s begrudging smile
stayed swathed in shadows of the banyan tree.
I sat deep in thought for a good, long while,
while feeding from the river of denial.

STEPHANIE L. HARPER

banyan_tree_kauai

Fuel for Flight

Aaaand… one more, while we’re on the Shakespearean Love Sonnet theme…  I wrote this for my beloved husband just a couple of years back! Don’t mind the roadside warning graphics — they’re only ornamental!!

from Google Images

from Google Images

Your love once sent me flying to the moon,
But now I’ve landed solidly on ground.
Your jets at idle, I no longer swoon
From ventures superceding speed of sound!

You dress to go on your bi-monthly run;
I dress, if there’s somewhere I have to be.
Your eyes (do they still sparkle like the sun?),
Without my specs, my love, I cannot see.

No longer do I dream of bees or birds–
The hives are barren; nests have blown away:
Our teenagers now speak the “choicest” words,
For we are out of fertile things to say.

My love, though we have traveled beyond lust,
Jets may have cooled, but haven’t lost their thrust…

STEPHANIE L. HARPER

Deliverance

Just in time for the Holidays… Hot off the presses — whoops, my bad — I mean, let go by a press that’s gone under (Booo!), but now available FREE for your consumption, er, enjoyment!

Google Images

Google Images

While wrapped up tightly to our necks in wool,
Sequestered in our homes in winter’s chill,
Whene’er we yearn to get our insides full,
A cardboard box in car delivers thrill…

Swelling with exhilarating spices,
Its savory scent comes wafting through the door––
Pepperoni, amongst other vices:
Meatballs and cheese and fat and carbs galore!

We sluggish’ eat while satisfaction grows––
All down the hatch, slice after slice, it goes––
Until its warmth has reached our very toes,
And caused onset of shameful gastric woes!

Oh, pizza, how you vanquish dark, cold days
In deviously insulating ways!

STEPHANIE L. HARPER

 

Painted Chickens

chicken mug

Found in Google Images, this is the actual mug which I still own (isn’t it wonderful?), that is featured in this poem.

Painted Chickens made its debut appearance in Sixfold Magazine, winter 2014 edition. 

Prompted to post it by Amy T., I dedicate it here to all of us who have looked back on our youths, shaken our heads,

and laughed…

Twenty years ago
I received a birthday gift
from a close college buddy-slash-sometime lover
(What on earth were we thinking?).
Back then, our past was already in the past
and twenty-four was already not young.
He gave me a coffee mug
covered in chickens––

yes, painted chickens––

three plump specimens posed around the outside,
and one that looks like an index finger
with an eye, a comb, a beak, and a wattle,
slapped onto the bottom.

How, I can’t fathom,
but my friend knew that those chickens
with their orange-red, expressionistic bodies
would be a boat-floater for me––
the one time I had slept with him
had been an epic shipwreck,

with a silent drive to the airport in its wake;
on the way, we choked down pancakes,
and I stifled sobs in my coffee,
averting my eyes
from the helpless horror in his.
I then flew off into the wild, wide sky,
bewildered, drowning.

Somehow, for years to come,
his southern gentlemanly charms
still served to allure:
he kept his promise to write
and took pains to catalogue for me
the details of his worldly escapades
and various, accompanying sexual conquests,
always making sure to emphasize
the ways in which they were hot for him,
so as to prove those trysts’ relative rightness.

Then, years later, for my birthday,
came the unexplainably gratifying
chicken cup.

Still burning hot
and feathered in their chili-pepper red,
royal purple and verdant green cloaks,
my static and impossibly happy
aphrodisiac chickens
blush like lovers on a Grecian urn;
clucking, urgent.

My southern gent,
now so long ago flown from this callous coop,
wooed another and had his own brood,
as, in due course, did I,
but the mug, no worse for wear, remains
a spectacular feature––
like a bright birthday piñata
(with its promise of sweet reward) ––
of my sacred morning ritual.

These chickens,
still ecstatically surprised,
letting out unabashed, open-beaked caterwauls,
adorn my most aged and prized coffee mug;
a vessel, perfectly-sized,
it cups its contents so adoringly,
fiercely,
like an egg enveloping its cache of gold,
as I take privileged sips.

The big chicken on the left
might actually be a rooster

and that one on the bottom,
a middle finger.